LEADER 00998nam0-22003611i-450 001 990005598040403321 005 20170922111618.0 010 $a0-8020-1886-6 035 $a000559804 035 $aFED01000559804 035 $a(Aleph)000559804FED01 035 $a000559804 100 $a19990604d1972----km-y0itay50------ba 101 0 $aeng 102 $aCA 105 $aa---c---001yy 200 1 $aMedieval structure: the gotic vault$fJames H. Acland 210 $aToronto ; Buffalo$cUniversity of Toronto Press$d1972 215 $a254 p.$cill.$d31 cm 610 0 $aArchitettura gotica 676 $a723.5 700 1$aAcland,$bJames H.$0215926 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005598040403321 952 $a723.5 ACL 1$bST. ARTE 12286$fFLFBC 952 $a05.204$b6333$fDARST 952 $aNN 26$b2852$fDINED 959 $aFLFBC 959 $aDARST 959 $aDINED 996 $aMedieval structure: the gotic vault$9608644 997 $aUNINA LEADER 00912nam a2200265 i 4500 001 991003019739707536 005 20020503182346.0 008 000908s1980 fr ||| | fre 020 $a2708923897 035 $ab10446692-39ule_inst 035 $aEXGIL113724$9ExL 040 $aBiblioteca Interfacoltà$bita 082 0 $a109 100 1 $aJerphagnon, Lucien$0155042 245 10$aHistoire des grandes philosophies /$csous la direction de Lucien Jerphagnon 260 $aToulouse :$bPrivat,$c1980 300 $a354 p. ;$c24 cm. 650 4$aFilosofia 907 $a.b10446692$b02-04-14$c27-06-02 912 $a991003019739707536 945 $aLE002 109 JER 945 $aLE002 Fil. IV E 15$g1$i2002000472892$lle002$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10517960$z27-06-02 996 $aHistoire des grandes philosophies$9224116 997 $aUNISALENTO 998 $ale002$b01-01-00$cm$da $e-$ffre$gfr $h0$i1 LEADER 02878nam 2200517 a 450 001 9910787326803321 005 20230803030954.0 010 $a1-4438-5095-0 035 $a(CKB)2670000000402636 035 $a(StDuBDS)AH25564374 035 $a(SSID)ssj0001168458 035 $a(PQKBManifestationID)11794156 035 $a(PQKBTitleCode)TC0001168458 035 $a(PQKBWorkID)11144721 035 $a(PQKB)10488970 035 $a(MiAaPQ)EBC1336805 035 $a(Au-PeEL)EBL1336805 035 $a(CaPaEBR)ebr10742343 035 $a(OCoLC)855505159 035 $a(FINmELB)ELB146974 035 $a(EXLCZ)992670000000402636 100 $a20130815d2013 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSongs of innocence and experience$b[electronic resource]$eromance in the cinema of Frank Capra /$fby Magdalena Grabias 205 $a1. 210 $aNewcastle upon Tyne, England $cCambridge Scholars Publishing$dc2013 215 $a1 online resource (230 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-4438-4781-X 320 $aIncludes bibliographical references and filmography. 330 $bSongs of Innocence and Experience: Romance in the Cinema of Frank Capra is a study of the directoras chosen movies from the perspective of three types of comedies: paradisal, purgatorial and infernal, as assigned by Dante in his Divine Comedy. Magdalena Grabias-?urek views Capraas films in two broader categories of innocenceA and experience,A where innocenceA represents Dantean paradisal level, and experienceA combines the levels of purgatory and inferno. Such a division constitutes the means to interpret Capra's filmic universe and to describe the ever-evolving directorial vision of Frank Capra. - - The main purpose of the book is to demonstrate how, in the light of the theory of literary romance as presented by Northrop Frye in his seminal works concerning the subject, the films of Frank Capra fit into the genre of romance. Romantic elements in Frank Capraas movies can be found in both innocenceA and experienceA categories and, hence, consequently in his paradisal, purgatorial and infernal comedies. However, in both categories, and all three comedy types, the romantic reality of each examined film is structured and developed in a different manner. - - The book offers an insight into Frank Capraas films and a complex process of creating his multidimensional romantic universe within them. - - - 606 $aRomance films 615 0$aRomance films. 676 $a791.4302330924 700 $aGrabias$b Magdalena$01581354 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787326803321 996 $aSongs of innocence and experience$93862840 997 $aUNINA