LEADER 02846nam 2200661Ia 450 001 9910451282103321 005 20200520144314.0 010 $a1-280-52854-0 010 $a0-19-535625-X 010 $a1-4294-0677-1 035 $a(CKB)1000000000412028 035 $a(EBL)272494 035 $a(OCoLC)476011030 035 $a(SSID)ssj0000224818 035 $a(PQKBManifestationID)11191298 035 $a(PQKBTitleCode)TC0000224818 035 $a(PQKBWorkID)10210085 035 $a(PQKB)10214895 035 $a(MiAaPQ)EBC272494 035 $a(Au-PeEL)EBL272494 035 $a(CaPaEBR)ebr10278282 035 $a(CaONFJC)MIL52854 035 $a(OCoLC)935260767 035 $a(EXLCZ)991000000000412028 100 $a19951121d1996 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPostcards from the trenches$b[electronic resource] $enegotiating the space between modernism and the First World War /$fAllyson Booth 210 $aNew York $cOxford University Press$d1996 215 $a1 online resource (199 p.) 300 $aDescription based upon print version of record. 311 $a0-19-510211-8 320 $aIncludes bibliographical references (p. 175-182) and index. 327 $aContents; Introduction; I. THE SHAPES OF BODIES; One: Corpselessness; Two: Corpses; II. THE SHAPES OF COUNTRIES; Three: Physical Borders; Four: Maps; Five: War Calendar; III. THE SHAPES OF OBJECTS; Six: Forgetful Objects; Seven: Glass Objects; Notes; Works Cited; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V; W 330 $aThis work offers a portrait of the relationship between British First World War culture and modernist writings. It shows that modernist writers and combatants shared a concern with the divide between language and experience. 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The book reveals how America has become a nation of gamblers and what the future holds for the gambling industry. 606 $aGambling$zUnited States 615 0$aGambling 676 $a795/.0973 700 $aBarker$b Thomas$0235241 701 $aBritz$b Marjie$01490294 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782944503321 996 $aJokers wild$93711622 997 $aUNINA