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101 0 $aeng
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183   $acr
200 10$aSigns of music $ea guide to musical semiotics /$fby Eero Tarasti
205   $aReprint 2012
210  1$aBerlin ;$aNew York :$cMouton de Gruyter,$d2002.
215   $a1 online resource (232 p.)
225 0 $aApproaches to Applied Semiotics [AAS] ;$v3
300   $aDescription based upon print version of record.
311 0 $a3-11-017227-5 
311 0 $a3-11-017226-7 
320   $aIncludes bibliographical references (pages [201]-217) and index.
327   $tFront matter --$tForeword --$tContents --$tPart one: Music as sign --$tChapter 1. Is music sign? --$tChapter 2. Signs in music history, history of music semiotics --$tChapter 3. Signs as acts and events: On musical situations --$tPart two: Gender, biology, and transcendence --$tChapter 4. Metaphors of nature and organicism in music: A "biosemiotic" approach --$tChapter 5. The emancipation of the sign: On corporeal and gestural meanings in music --$tChapter 6. Body and transcendence in Chopin --$tPart three: Social and musical practices --$tChapter 7. Voice and identity --$tChapter 8. On the semiosis of musical improvisation: From Mastersingers to Bororo indians --$tNotes --$tReferences --$tName index
410  0$aApproaches to Applied Semiotics [AAS]
606   $aMusic$xPhilosophy and aesthetics
606   $aMusic$xSemiotics
606   $aSymbolism in music
608   $aElectronic books.
615  0$aMusic$xPhilosophy and aesthetics.
615  0$aMusic$xSemiotics.
615  0$aSymbolism in music.
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