LEADER 03116oam 22006854a 450 001 9910480413303321 005 20210104035644.0 010 $a0-271-08928-8 010 $a0-271-08926-1 024 7 $a10.4159/9780271089287 035 $a(CKB)4100000011218966 035 $a(MiAaPQ)EBC6224568 035 $a(OCoLC)1152993878 035 $a(MdBmJHUP)muse85742 035 $a(DE-B1597)583648 035 $a(DE-B1597)9780271089287 035 $a(EXLCZ)994100000011218966 100 $a20150828d2015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDisillusioned$eVictorian Photography and the Discerning Subject /$fJordan Bear 210 1$aUniversity Park, Pennsylvania :$cThe Pennsylvania State University Press,$d2015. 210 3$aBaltimore, Md. :$cProject MUSE, $d2021 210 4$d©2015. 215 $a1 online resource (xiv, 198 pages) $cillustrations 311 $a0-271-06501-X 320 $aIncludes bibliographical references (pages 179-190) and index. 327 $aIntroduction: the history of photography and the problem of knowledge -- See for yourself : visual discernment and photography's appearance -- Shadowy organization : combination photography, illusion, and conspiracy -- Same time tomorrow : serial photographs and the structure of industrial vision -- Hand in hand : gender and collaboration in Victorian photography -- Signature style : Francis Frith and the rise of corporate photographic authorship -- Indistinct relics : discerning the origins of photography -- The limits of looking : the tiny, distant, and rapid subjects of photography. Conclusion : "normal" photography : the legacy of a history. 330 8 $a"Examines how photographic trickery in the 1850s and 1860s participated in the fashioning of the modern subject. Integrates images of the Victorian period into a new and expansive interpretive framework by locating specific mechanisms of photographic deception"--Provided by publisher. 606 $aPhotographie$2rero 606 $aHistoire culturelle$2rero 606 $a19e siecle (milieu)$2rero 606 $aTruquage (photographie)$2rero 606 $aTrick photography$2fast$3(OCoLC)fst01156637 606 $aPhotography$2fast$3(OCoLC)fst01061714 606 $aTrick photography$zGreat Britain$xHistory$y19th century 606 $aPhotography$zGreat Britain$xHistory$y19th century 607 $aGrande-Bretagne$2rero 607 $aGreat Britain$2fast 608 $aHistory. 608 $aElectronic books. 615 0$aPhotographie. 615 0$aHistoire culturelle. 615 0$a19e siecle (milieu) 615 0$aTruquage (photographie) 615 0$aTrick photography. 615 0$aPhotography. 615 0$aTrick photography$xHistory 615 0$aPhotography$xHistory 676 $a771 700 $aBear$b Jordan$01033433 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910480413303321 996 $aDisillusioned$92451989 997 $aUNINA LEADER 00965nam a22002411i 4500 001 991002915019707536 005 20040422220436.0 008 040624s1907 fr a||||||||||||||||fre 035 $ab12997109-39ule_inst 035 $aARCHE-095478$9ExL 040 $aDip.to Beni Culturali$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a730.92 100 1 $aCollignon, Maxime$0487610 245 10$aScopas et Praxitèle :$bla sculpture grecque au IVe siècle jusqu'au temps d'Alexandre /$cpar Maxime Collignon 260 $aParis :$bPlon-Nourrit,$c1907 300 $a173 p. :$b30 c. di tav. : ill. ;$c21 cm 440 4$aLes maitres de l'art 907 $a.b12997109$b02-04-14$c12-07-04 912 $a991002915019707536 945 $aLE001 AR IV 28 8$g1$i2001000111169$lle001$nC. 1$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i13604624$z12-07-04 996 $aScopas et Praxitèle$9283253 997 $aUNISALENTO 998 $ale001$b12-07-04$cm$da $e-$ffre$gfr $h0$i1