LEADER 03491nam 2200649Ia 450 001 9910465799103321 005 20200520144314.0 010 $a0-19-532764-0 010 $a1-281-76966-5 010 $a9786611769666 010 $a0-19-971665-X 035 $a(CKB)2560000000296511 035 $a(EBL)415114 035 $a(OCoLC)476240125 035 $a(SSID)ssj0000110058 035 $a(PQKBManifestationID)11127732 035 $a(PQKBTitleCode)TC0000110058 035 $a(PQKBWorkID)10059688 035 $a(PQKB)11552605 035 $a(StDuBDS)EDZ0000023698 035 $a(MiAaPQ)EBC415114 035 $a(Au-PeEL)EBL415114 035 $a(CaPaEBR)ebr10254352 035 $a(CaONFJC)MIL176966 035 $a(EXLCZ)992560000000296511 100 $a20080214d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBehind the curtain$b[electronic resource] $emaking music in Mumbai's film studios /$fGregory D. Booth 210 $aOxford ;$aNew York $cOxford University Press$d2008 215 $a1 online resource (332 p.) 300 $aDescription based upon print version of record. 311 $a0-19-532763-2 311 $a0-19-985205-7 320 $aIncludes bibliographical references (p. 295-303) and index. 327 $aContents; Introduction: Who Is Anthony Gonsalves?; Part I: History, Technology, and a Determinist Milieu for Hindi Film Song; 1 Popular Music as Film Music; 2 Musicians and Technology in the Mumbai Film-Music Industry; 3 Changing Structures in the Mumbai Film Industry; Part II: The Life of Music in the Mumbai Film Industry; 4 Origins, Training, and ""Joining the Line""; 5 Roles, Relations, and the Creative Process; 6 Rehearsals, Recordings, and Economics; Part III: Music, Instruments, and Meaning from Musicians' Perspectives 327 $a7 Orchestras and Orchestral Procedures, Instrumental Change, Arranging, and Programming8 Issues of Style, Genre, and Value in Mumbai Film Music; Conclusion: Oral History, Change, and Accounts of Human Agency; Notes; References; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y 330 $aIntroduction - Who is Anthony Gonsalves? Part One - History, Technology, and a Determinist Milieu for Hindi Film Song 1. Popular Music as Film Music 3. Changing Structures in the Mumbai Film Industry Part Two - The Life of Music in the Mumbai Film Industry 4. Origins, Training, and ""Joining the Line"" 5. Roles, Relations, and the Creative Process 6. Rehearsals, Recordings, and Economics Part Three - Music, Instruments, and Meaning from Musicians' Perspectives 7. Orchestras and Orchestral Procedures, Instrumental Change, Arranging, and Programming 8. Issues of Style, Genre, and V 606 $aMotion picture music$xProduction and direction$zIndia$zBombay$xHistory 606 $aMotion picture music$zIndia$zBombay$xHistory and criticism 606 $aMotion picture industry$zIndia$zBombay$xHistory 608 $aElectronic books. 615 0$aMotion picture music$xProduction and direction$xHistory. 615 0$aMotion picture music$xHistory and criticism. 615 0$aMotion picture industry$xHistory. 676 $a781.5 700 $aBooth$b Gregory D$0913162 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465799103321 996 $aBehind the curtain$92045642 997 $aUNINA LEADER 00993nam a22002531i 4500 001 991002827719707536 005 20040402124405.0 008 040624s1926 xxua||||||||||||||||eng 035 $ab12984498-39ule_inst 035 $aARCHE-094217$9ExL 040 $aDip.to Beni Culturali$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a737.49 100 1 $aBrett, Agnes Baldwin$0487554 245 10$aFour medallions from the Arras Hoard /$cby Agnes Baldwin 260 $aNew York :$bThe American numismatic society,$c1926 300 $a36 p., [4] c. di tav. :$bill. ;$c17 cm 440 0$aNumismatic notes and monographs 650 4$aMonete$zFrancia 907 $a.b12984498$b02-04-14$c12-07-04 912 $a991002827719707536 945 $aLE001 N I 8 bis$g1$i2001000079650$lle001$nC. 1$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i13589052$z12-07-04 996 $aFour medallions from the Arras Hoard$9284531 997 $aUNISALENTO 998 $ale001$b12-07-04$cm$da $e-$feng$gxxu$h0$i1