LEADER 00815nam a2200241 i 4500 001 991002760739707536 008 070829s1965 fr 001 0 fre d 020 $a9782070324293 035 $ab13576604-39ule_inst 040 $aDip.to Filosofia$bita 082 0 $a194 100 1 $aAron, Raymond$045642 245 10$aDemocratie et totalitarisme /$cRaymond Aron 260 $aParis :$bGallimard,$c1965 300 $a374 p. ;$c17 cm 440 0$aFolio / essais ;$v69 650 4$aRegime politico 907 $a.b13576604$b29-08-07$c29-08-07 912 $a991002760739707536 945 $aLE005 194 ARO01. 14$g1$i2005000184390$lle005$o-$pE11.80$q-$rl$s- $t0$u1$v0$w1$x0$y.i14538106$z29-08-07 996 $aDémocratie et totalitarisme$923505 997 $aUNISALENTO 998 $ale005$b29-08-07$cm$da $e-$ffre$gfr $h0$i0 LEADER 03724nam 2200613Ia 450 001 9910786935003321 005 20200520144314.0 010 $a0-231-52646-6 024 7 $a10.7312/fros15272 035 $a(CKB)2670000000389667 035 $a(EBL)1103413 035 $a(OCoLC)852732344 035 $a(SSID)ssj0000918551 035 $a(PQKBManifestationID)12397474 035 $a(PQKBTitleCode)TC0000918551 035 $a(PQKBWorkID)10908575 035 $a(PQKB)10327468 035 $a(StDuBDS)EDZ0000129977 035 $a(MiAaPQ)EBC1103413 035 $a(DE-B1597)458872 035 $a(OCoLC)979909928 035 $a(DE-B1597)9780231526463 035 $a(Au-PeEL)EBL1103413 035 $a(CaPaEBR)ebr10734259 035 $a(CaONFJC)MIL562637 035 $a(EXLCZ)992670000000389667 100 $a20120926d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe problem with pleasure$b[electronic resource] $emodernism and its discontents /$fLaura Frost 210 $aNew York $cColumbia University Press$dc2013 215 $a1 online resource (305 p.) 300 $aDescription based upon print version of record. 311 $a0-231-15273-6 311 $a0-231-15272-8 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tIllustrations -- $tAcknowledgments -- $tIntroduction: The Repudiation of Pleasure -- $t1 James Joyce and the Scent of Modernity -- $t2 Stein's Tickle -- $t3 Orgasmic Discipline -- $t4 Huxley's Feelies -- $t5 The Impasse of Pleasure -- $t6 Blondes Have More Fun -- $tCoda -- $tNotes -- $tIndex 330 $aAldous Huxley decried "the horrors of modern 'pleasure,'" or the proliferation of mass produced, widely accessible entertainment that could degrade or dull the mind. He and his contemporaries, including James Joyce, T. S. Eliot, Gertrude Stein, D. H. Lawrence, and Jean Rhys, sought to radically redefine pleasure, constructing arduous and indirect paths to delight through their notoriously daunting work. Laura Frost follows these experiments in the art of unpleasure, connecting modernism's signature characteristics, such as irony, allusiveness, and obscurity, to an ambitious attempt to reconfigure bliss.In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic play of Joyce, Lawrence, Stein, Rhys, and others. She considers pop cultural phenomena and the rise of celebrities such as Rudolph Valentino and Gypsy Rose Lee against contemporary sociological, scientific, and philosophical writings on leisure and desire. Throughout her study, Frost incorporates recent scholarship on material and visual culture and vernacular modernism, recasting the period's high/low, elite/popular divides and formal strategies as efforts to regulate sensual and cerebral experience. Capturing the challenging tensions between these artists' commitment to innovation and the stimulating amusements they denounced yet deployed in their writing, Frost calls attention to the central role of pleasure in shaping interwar culture. 606 $aModernism (Literature) 606 $aPleasure in literature 615 0$aModernism (Literature) 615 0$aPleasure in literature. 676 $a809/.9112 700 $aFrost$b Laura Catherine$f1967-$01532577 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786935003321 996 $aThe problem with pleasure$93778802 997 $aUNINA