LEADER 00998nam a2200229 i 4500 001 991002744809707536 008 150504s1947 fr 000 0 fre d 035 $ab14225815-39ule_inst 040 $aDip. di Studi Umanistici$bita 100 1 $aCarcopino, Jérome$0398876 245 14$aLes secrets de la correspondance de Cicéron /$cJérome Carcopino 250 $a8. ed. 260 $aParis :$bL'Artisan du Livre,$c1947 300 $a2 v. ;$c19 cm 600 14$aCicerone, Marco Tullio.$tEpistulae 907 $a.b14225815$b04-05-15$c04-05-15 912 $a991002744809707536 945 $aLE007 870.1 Cicero CAR 01.501$cv. 1$g1$i2007000260616$lle007$nLE007 2015 Pregresso$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i15670466$z04-05-15 945 $aLE007 870.1 Cicero CAR 01.501$cv. 2$g1$i2007000260623$lle007$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i15670478$z04-05-15 996 $aSecrets de la correspondance de Cicéron$9256686 997 $aUNISALENTO 998 $ale007$b04-05-15$cm$da $e-$ffre$gfr $h4$i0 LEADER 05039oam 22005652 450 001 996465270703316 005 20240329205356.0 010 $a90-485-5290-7 024 7 $a10.1515/9789048552900 035 $a(MiAaPQ)EBC6811535 035 $a(Au-PeEL)EBL6811535 035 $a(CKB)19919379400041 035 $a(OCoLC)1287133951 035 $a(OCoLC)1287234274 035 $a(MdBmJHUP)musev2_98540 035 $a(UkCbUP)CR9789048552900 035 $a(DE-B1597)602079 035 $a(DE-B1597)9789048552900 035 $a(ScCtBLL)4d7ffc78-c858-40e0-ac76-90d013ae356b 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/79256 035 $a(EXLCZ)9919919379400041 100 $a20211203d2022|||| uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aAuthorizing early modern European women $efrom biography to biofiction /$fedited by James Fitzmaurice, Naomi J. Miller and Sara Jayne Steen 210 1$aAmsterdam :$cAmsterdam University Press,$d2022. 215 $a1 online resource (287 pages) $cdigital, PDF file(s) 225 1 $aGendering the late medieval and early modern world 300 $aTitle from publisher's bibliographic system (viewed on 17 Dec 2021). 311 08$aPrint version: Fitzmaurice, James Authorizing Early Modern European Women Amsterdam : Amsterdam University Press,c2021 327 $tFrontmatter --$tGendering the Late Medieval and Early Modern World --$tTable of Contents --$tList of Figures --$tAcknowledgments --$t1. Introduction: Biography, Biofiction, and Gender in the Modern Age --$tSection I: Fictionalizing Biography --$t2. Sister Teresa: Fictionalizing a Saint --$t3. Portrait of an Unknown Woman : Fictional Representations of Levina Teerlinc, Tudor Paintrix --$t4. An Interview with Dominic Smith , Author of The Last Painting of Sara de Vos: Capturing the Seventeenth Century --$t5. Lanyer: The Dark Lady and the Shades of Fiction --$t6. Archival Bodies, Novel Interpretations , and the Burden of Margaret Cavendish --$tSection II: Materializing Authorship --$t7. Bess of Hardwick: Materializing Autobiography --$t8. The Queen as Artist: Elizabeth Tudor and Mary Stuart --$t9. "Very Secret Kept": Facts and Re- Creation in Margaret Hannay's Biographies of Mary Sidney and Mary Wroth --$t10. Imagining Shakespeare's Sisters : Fictionalizing Mary Sidney Herbert and Mary Sidney Wroth --$t11. Anne Boleyn, Musician: A Romance Across Centuries and Media --$tSection III: Performing Gender --$t12. Reclaiming Her Time : Artemisia Gentileschi Speaks to the Twenty-First Century --$t13. Beyond the Record: Emilia and Feminist Historical Recovery --$t14. Writing, Acting, and the Notion of Truth in Biofiction About Early Modern Women Authors --$t15. Jesusa Rodríguez's Sor Juana Inés de la Cruz : Reflections on an Opaque Body --$tSection IV: Authoring Identity --$t16. From Hollywood Film to Musical Theater : Veronica Franco in American Popular Culture --$t17. The Role of Art in Recent Biofiction on Sofonisba Anguissola --$t18. "I am Artemisia": Art and Trauma in Joy McCullough's Blood Water Paint --$t19. The Lady Arbella Stuart, a "Rare Phoenix" : Her Re-Creation in Biography and Biofiction --$t20. The Gossips' Choice : Extending the Possibilities for Biofiction with Creative Uses of Sources --$t21. Afterword --$tIndex 330 $aThe essays in this volume analyze strategies adopted by contemporary novelists, playwrights, screenwriters, and biographers interested in bringing the stories of early modern women to modern audiences. It also pays attention to the historical women creators themselves, who, be they saints or midwives, visual artists or poets and playwrights, stand out for their roles as active practitioners of their own arts and for their accomplishments as creators. Whether they delivered infants or governed as monarchs, or produced embroideries, letters, paintings or poems, their visions, the authors argue, have endured across the centuries. As the title of the volume suggests, the essays gathered here participate in a wider conversation about the relation between biography, historical fiction, and the growing field of biofiction (that is, contemporary fictionalizations of historical figures), and explore the complicated interconnections between celebrating early modern women and perpetuating popular stereotypes about them. 410 0$aGendering the late medieval and early modern world. 606 $aWomen$zEurope$xHistory 610 $aEarly Modern Women, Historical Women, Biofiction, Biography, Renaissance Women. 615 0$aWomen$xHistory. 676 $a305.4094 700 $aFitzmaurice$b James$4edt$01427558 702 $aFitzmaurice$b James 702 $aMiller$b Naomi J.$f1960- 702 $aSteen$b Sara 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996465270703316 996 $aAuthorizing early modern European women$93561234 997 $aUNISA