LEADER 00853nam a2200253 i 4500 001 991002647439707536 005 20020503171737.0 008 001103s1960 it ||| | ita 035 $ab10394904-39ule_inst 035 $aEXGIL107512$9ExL 040 $aBiblioteca Interfacoltà$bita 082 0 $a792 100 1 $aPardieri, Giuseppe$0198161 245 10$aErmete Zacconi /$cGiuseppe Pardieri 260 $aBologna :$bCappelli,$c1960 300 $a154 p. :$b8 tav. ;$c19 cm. 490 0 $aDocumenti di teatro ;$v12 650 4$aZacconi, Ermete 907 $a.b10394904$b21-02-17$c27-06-02 912 $a991002647439707536 945 $aLE002 Ar. I B 13$g1$i2002000975232$lle002$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10461541$z27-06-02 996 $aErmete Zacconi$9220174 997 $aUNISALENTO 998 $ale002$b01-01-00$cm$da $e-$fita$git $h0$i1 LEADER 03017nam 22006855 450 001 9910255094603321 005 20240701113024.0 010 $a9783319633817 010 $a3319633813 024 7 $a10.1007/978-3-319-63381-7 035 $a(CKB)3780000000451255 035 $a(MiAaPQ)EBC4981405 035 $a(DE-He213)978-3-319-63381-7 035 $a(Perlego)3496837 035 $a(EXLCZ)993780000000451255 100 $a20170819d2017 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe Theater of Revisions in the Hispanic Caribbean /$fby Katherine Ford 205 $a1st ed. 2017. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017. 215 $a1 online resource (219 pages) 225 1 $aNew Directions in Latino American Cultures,$x2634-520X 311 08$a9783319633800 311 08$a3319633805 320 $aIncludes bibliographical references and index. 327 $a1. Introduction: Considering Revisions -- 2. What's Old is New Again: Ancient Greek Theater Alive in the Spanish Caribbean -- 3. Returning to the Origins: The Use of Christianity in Spanish Caribbean Theater -- 4. Returning to the Past: The Use of History in Spanish Caribbean Theater -- 5. Re-Writing the Nation and the Self. 330 $aThis book explores the textured process of rewriting and revising theatrical works in the Spanish-speaking Caribbean as both a material and metaphorical practice. Deftly tracing these themes through community theater groups, ancient Greek theater, religious traditions, and national historical events, Katherine Ford weaves script, performance and final product together with an eye to the social significance of revision. Ultimately, to rewrite and revise is to re-envision and re-imagine stage practices in the twentieth-century Hispanic Caribbean. 410 0$aNew Directions in Latino American Cultures,$x2634-520X 606 $aEthnology$zLatin America 606 $aCulture 606 $aTheater$xHistory 606 $aPerforming arts 606 $aTheater 606 $aAmerica$xPolitics and government 606 $aLatin American Culture 606 $aTheatre History 606 $aLatino Culture 606 $aTheatre and Performance Arts 606 $aAmerican Politics 615 0$aEthnology 615 0$aCulture. 615 0$aTheater$xHistory. 615 0$aPerforming arts. 615 0$aTheater. 615 0$aAmerica$xPolitics and government. 615 14$aLatin American Culture. 615 24$aTheatre History. 615 24$aLatino Culture. 615 24$aTheatre and Performance Arts. 615 24$aAmerican Politics. 676 $a790.209792 700 $aFord$b Katherine$4aut$4http://id.loc.gov/vocabulary/relators/aut$02237 906 $aBOOK 912 $a9910255094603321 996 $aThe Theater of Revisions in the Hispanic Caribbean$91967592 997 $aUNINA