LEADER 01028nam a2200253 i 4500 001 991002329609707536 005 20020503164133.0 008 001103s1958 it ||| | ita 035 $ab10349054-39ule_inst 035 $aEXGIL102105$9ExL 040 $aBiblioteca Interfacoltà$bita 082 0 $a232 100 1 $aMontanaro, Agostino$0177372 245 13$aIl culto al SS. Nome di Gesù :$bteologia, storia liturgia /$cAgostino Montanaro 260 $aNapoli :$bIstituto geografico editoriale italiano,$c1958 300 $a290 p. :$bill. ;$c24 cm. 650 4$aGesù Cristo - Culto 907 $a.b10349054$b02-04-14$c27-06-02 912 $a991002329609707536 945 $aLE002 St. XXII A 14$g1$i2002000720528$lle002$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10409543$z27-06-02 945 $aLE009 STOR.43-56$g1$i2009000200951$lle009$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i12547281$z14-07-03 996 $aCulto al SS. Nome di Gesù$9205249 997 $aUNISALENTO 998 $ale002$ale009$b01-01-00$cm$da $e-$fita$git $h3$i1 LEADER 04758nam 22006852 450 001 9910960622203321 005 20151005020622.0 010 $a1-107-18733-8 010 $a1-281-38343-0 010 $a9786611383435 010 $a0-511-39838-7 010 $a0-511-39763-1 010 $a0-511-48206-X 010 $a0-511-39686-4 010 $a0-511-39922-7 010 $a0-511-39613-9 035 $a(CKB)1000000000412711 035 $a(EBL)803080 035 $a(OCoLC)761647233 035 $a(SSID)ssj0000258631 035 $a(PQKBManifestationID)11224009 035 $a(PQKBTitleCode)TC0000258631 035 $a(PQKBWorkID)10257171 035 $a(PQKB)10111339 035 $a(UkCbUP)CR9780511482069 035 $a(MiAaPQ)EBC803080 035 $a(Au-PeEL)EBL803080 035 $a(CaPaEBR)ebr10229618 035 $a(CaONFJC)MIL138343 035 $a(EXLCZ)991000000000412711 100 $a20090216d2008|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aThinking about harmony $ehistorical perspectives on analysis /$fDavid Damschroder 205 $a1st ed. 210 1$aCambridge :$cCambridge University Press,$d2008. 215 $a1 online resource (ix, 331 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 08$a0-521-18238-7 311 08$a0-521-88814-X 320 $aIncludes bibliographical references (p. [322]-327) and index. 327 $aChord identification. Arabic and Roman numerals ; Daube's three chords and the emergence of a function theory ; Chordal roots ; Mendelssohn's Wedding March and British harmonic theory -- Chordal embellishment. Rameau on suspensions ; Kirnberger's incidental dissonances ; Embellishment in a phrase by Chopin ; Koch's Stamakkord and the dissonant 6/4 ; A Beethoven/Schubert connection ; Berlioz and Fetis on embellishment -- Parallel and sequential progressions. Parallel motion in thirds or sixths ; Chains of descending fifths ; Langle's Tours de l'harmonie ; Schubert's transformation of the ascending 5-6 sequence -- Harmonic progression. The artistic progression of harmonic triads ; Rankings of chord successions ; Portmann's rules of succession ; The privileged fifth ; Succession by third ; Succession by second ; Koch's model : Schubert's composition -- Chordal hierarchy. Passing note, passing chord ; Reductive analysis in the nineteenth century ; Hierarchy in fifth-related chords ; Dehn on Beethoven -- Modulation to closely related keys. An analytical pioneer : Lampe ; Chromatic pitches as modulatory triggers ; Non-modulatory analysis ; Multiple meaning ; Prout's modulatory practice -- Chromatic chords : diminished/augmented. Chords via "licence" ; Enharmonicism ; Diminished seventh chords in Weber's Euryanthe ; Marx on diminished thirds (augmented sixths) ; Weitzmann on diminished sevenths -- Chromatic chords : major and minor. ?II : the strategy of denial ; ?II : strategies of inclusion ; Non-diatonic goals of modulation ; Rossini and the major mediant ; Seyfried's and Schubert's modulations ; A Wagnerian antipodal conundrum ; A parallel progression in Verdi's Luisa Miller -- Epilogue -- Biographies of music theorists. 330 $aFocusing on music written in the period 1800?1850, Thinking about Harmony traces the responses of observant musicians to the music that was being created in their midst by composers including Beethoven, Schubert, and Chopin. It tells the story of how a separate branch of musical activity - music analysis - evolved out of the desire to make sense of the music, essential both to its enlightened performance and to its appreciation. The book integrates two distinct areas of musical inquiry - the history of music theory and music analysis - and the various notions that shape harmonic theory are put to the test through practical application, creating a unique and intriguing synthesis. Aided by an extensive compilation of carefully selected and clearly annotated music examples, readers can explore a panoramic projection of the era's analytical responses to harmony, thereby developing a more intimate rapport with the period. 606 $aMusical analysis$xHistory$y19th century 606 $aHarmony$xHistory 606 $aMusic$xHistory and criticism 615 0$aMusical analysis$xHistory 615 0$aHarmony$xHistory. 615 0$aMusic$xHistory and criticism. 676 $a781.09034 700 $aDamschroder$b David$01843376 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910960622203321 996 $aThinking about harmony$94425111 997 $aUNINA