LEADER 01307nam a22002771i 4500 001 991002318989707536 005 20030702092940.0 008 030925s1962 it |||||||||||||||||ita 035 $ab12272292-39ule_inst 035 $aARCHE-031986$9ExL 040 $aBiblioteca Interfacoltà$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a378 100 1 $aFerro, Guido$0756 245 10$aRelazione del rettore sull'attività dell'anno accademico 1961-1962 letta in aula magna il 5 novembre 1962 inaugurandosi il DCCXLI anno accademico /$cGuido Ferro 260 $aPadova :$bTip. del seminario,$c[1962] 300 $a1 v. ;$c24 cm 500 $aEstr. da: Annuario dell'Università di Padova, a.a. 1962-63 500 $aIn testa al front.: Università degli studi di Padova 650 4$aPadova$xUniversità 710 2 $aUniversità degli Studi 907 $a.b12272292$b02-04-14$c08-10-03 912 $a991002318989707536 945 $aLE002 Busta A 29/5$g1$i2002000762702$lle002$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i12663979$z08-10-03 996 $aRelazione del rettore sull'attività dell'anno accademico 1961-1962 letta in aula magna il 5 novembre 1962 inaugurandosi il DCCXLI anno accademico$9152907 997 $aUNISALENTO 998 $ale002$b08-10-03$cm$da $e-$fita$git $h0$i1 LEADER 03267nam 2200541 450 001 9910420939903321 005 20230623182547.0 010 $a9789048539215$b(ebook) 010 $z9789462987517$b(paperback) 024 7 $a10.1515/9789048539215 035 $a(CKB)4100000011515724 035 $a(DE-B1597)572720 035 $a(DE-B1597)9789048539215 035 $a(OCoLC)1224279230 035 $a(MiAaPQ)EBC30406555 035 $a(Au-PeEL)EBL30406555 035 $a(EXLCZ)994100000011515724 100 $a20201125h20202020 fg 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRealist cinema as world cinema $enon-cinema, intermedial passages, total cinema /$fLúcia Nagib 205 $a1st ed. 210 1$aAmsterdam :$cAmsterdam University Press,$d[2020] 210 4$d©2020 215 $a1 online resource (300 pages) $cillustrations; digital, PDF file(s) 225 1 $aFilm Culture in Transition 311 08$aPrint version: 9789462987517 320 $aIncludes bibliographical references and index. 327 $aFrontmatter -- Table of Contents -- List of Illustrations -- Acknowledgements -- Introduction -- Part I. Non-cinema -- 1. The Death of (a) Cinema -- 2. Jafar Panahi?s Forbidden Tetralogy -- 3. Film as Death -- 4. The Blind Spot of History -- Part II. Intermedial Passages -- 5. The Geid?mono Genre and Intermedial Acting in Ozu and Mizoguchi -- 6. Intermedial History-Telling -- 7. Passages to Reality -- Part III. Towards Total Cinema -- 8. The Reality of Art -- 9. Historicising the Story through Film and Music -- 10. Total Cinema as Mode of Production -- Bibliography -- Index 330 $aThis book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: 'non-cinema', or a cinema that aspires to be life itself; 'intermedial passages', or films that incorporate other artforms as a channel to historical and political reality; and 'total cinema', or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin. 410 0$aFilm culture in transition 606 $aPERFORMING ARTS / Film & Video / History & Criticism$2bisacsh 610 $aCinematic Authorship. 610 $aCinematic Realism. 610 $aIntermediality. 610 $aNational Cinemas. 610 $aWorld Cinema. 615 7$aPERFORMING ARTS / Film & Video / History & Criticism. 676 $a791.43612 700 $aNagib$b Lúcia$0910613 801 0$bDE-B1597 801 2$bUkMaJRU 912 $a9910420939903321 996 $aRealist cinema as world cinema$92037991 997 $aUNINA