LEADER 05559nam 2200709Ia 450 001 9910463006503321 005 20211028220624.0 010 $a3-0346-0990-6 024 7 $a10.1515/9783034609906 035 $a(CKB)2670000000317221 035 $a(EBL)1020500 035 $a(OCoLC)822025010 035 $a(SSID)ssj0000812570 035 $a(PQKBManifestationID)11443988 035 $a(PQKBTitleCode)TC0000812570 035 $a(PQKBWorkID)10859952 035 $a(PQKB)11058331 035 $a(MiAaPQ)EBC1020500 035 $a(DE-B1597)206248 035 $a(OCoLC)979970751 035 $a(DE-B1597)9783034609906 035 $a(Au-PeEL)EBL1020500 035 $a(CaPaEBR)ebr10634585 035 $a(EXLCZ)992670000000317221 100 $a20080213d2009 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aAdrian Frutiger typefaces$b[electronic resource] $ethe complete works /$fSwiss Foundation Type and Typography ; edited by Heidrun Osterer and Philipp Stamm 205 $aEnglish ed. 210 $aBasel ;$aBoston $cBirkha?user$dc2009 215 $a1 online resource (459 p.) 300 $aIncludes two folded pages. 311 0 $a3-7643-8581-2 320 $aIncludes bibliographical references (p. 424-437). 327 $tFront matter --$tContent --$tAdrian Frutiger - The standard-setter /$rWeidemann, Kurt --$tA typeface is a tool /$rFrutiger, Adrian --$tIntroduction. How we made this book --$tIntroduction. How to use this book --$tCareer path. Adrian Frutiger's teachers and mentors --$tPrésident --$tType-design project. Delta --$tPHOEBUS --$tType-design project. Element-Grotesk --$tType-design project. Federduktus --$tONDINE --$tMÉRIDIEN --$tCaractères Lumitype --$tUNIVERS --$tEGYPTIENNE F --$tOpéra --$tAlphabet Orly --$tAPOLLO --$tType-design project. Alphabet Entreprise Francis Bouygues --$tConcorde --$tType-design project. Serifen-Grotesk --$tAlphabet Algol --$tSERIFA --$tOCR-B --$tUnivers IBM Composer --$tAlphabet EDF-GDF --$tType-design project. Katalog --$tDevanagari / Tamil --$tAlpha BP --$tDocumenta --$tAlphabet Facom --$tAlphabet Roissy --$tAlphabet Brancher --$tIRIDIUM --$tAlphabet Métro --$tALPHABET CENTRE POMPIDOU --$tFRUTIGER --$tGLYPHA --$tICONE --$tBREUGHEL --$tType-design project. Dolmen --$tTIEMANN --$tVERSAILLES --$tLinotype Centennial --$tAVENIR --$tWESTSIDE --$tVECTORA --$tLINOTYPE DIDOT --$tHERCULANUM --$tShiseido --$tFrutiger CAPITALI S --$tPompeijana --$tRUSTICANA --$tFRUTIGER STONES --$tFRUTIGER NEONSCRIPT --$tNAMI --$tSynopsis of Frutiger-Typefaces --$tAddendum 330 $aDas internationale Schriftschaffen nach 1950 wurde massgeblich geprägt vom Schweizer Adrian Frutiger. Sein Schriftprogramm Univers und die zum ISO-Standard erklärte maschinenlesbare Schrift OCR-B sind Meilensteine wie auch die zur Frutiger weiterentwickelte Schrift der Pariser Flughäfen - ein Qualitätsstandard für Signalisationsschriften. Mit den Corporate Types prägte er Firmenauftritte wie jenen der japanischen Kosmetiklinie Shiseido. Insgesamt entstanden rund 50 Schriften, darunter Ondine, Méridien, Avenir, Vectora.Auf Gesprächen mit Frutiger basierend sowie auf umfangreichen Recherchen in Frankreich, England, Deutschland und der Schweiz zeichnet die Publikation den gestalterischen Werdegang des Schriftkünstlers exakt nach. Erstmals werden alle Schriften - vom Entwurf bis zur Vermarktung - abgebildet sowie mit Bezug zu Technik und zu artverwandten Schriften analysiert. Bisher unveröffentlichte, nicht realisierte Schriften sowie über 100 Logos vervollständigen das Bild. 330 $aThe international creation of typefaces after 1950 was decisively influenced by the Swiss type designer Adrian Frutiger. His Univers typeface and the machine-readable font OCR-B, which was adopted as an ISO standard, are milestones, as is his type for the Paris airports, which set new standards for signage types and evolved into the Frutiger typeface. With his corporate types, he helped to define the public profiles of companies such as the Japanese Shiseido line of cosmetics. In all he created some fifty types, including Ondine, Méridien, Avenir, and Vectora.Based on conversations with Frutiger himself and on extensive research in France, England, Germany, and Switzerland, this publication provides a highly detailed and accurate account of the type designer's artistic development. For the first time, all of his types - from the design phase to the marketing stage - are illustrated and analyzed with reference to the technology and related types. Hitherto unpublished types that were never realized and more than one hundred logos complete the picture. 606 $aType and type-founding$xHistory$y20th century 606 $aType and type-founding$vSpecimens 606 $aGraphic design (Typography) 606 $aTypographers$zSwitzerland$vBiography 606 $aType designers$zSwitzerland$vBiography 608 $aElectronic books. 615 0$aType and type-founding$xHistory 615 0$aType and type-founding 615 0$aGraphic design (Typography) 615 0$aTypographers 615 0$aType designers 676 $a686.224092 700 $aFrutiger$b Adrian$f1928-$0689582 701 $aOsterer$b Heidrun$f1966-$01026021 701 $aStamm$b Philipp$01026022 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463006503321 996 $aAdrian Frutiger typefaces$92440691 997 $aUNINA LEADER 02744nam a22003971i 4500 001 991002254189707536 005 20040225140442.0 008 040407s1926 it |||||||||||||||||lat 035 $ab12894552-39ule_inst 035 $aARCHE-087417$9ExL 040 $aDip.to Scienze Storiche$bita$cA.t.i. Arché s.c.r.l. 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