LEADER 01363nam a22002891i 4500 001 991002209789707536 005 20040217150625.0 008 040407s2001 it |||||||||||||||||ita 035 $ab12887638-39ule_inst 035 $aARCHE-086725$9ExL 040 $aDip.to Filologia Class. e Scienze Filosofiche$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a880 100 1 $aMesturini, Anna Maria$0486221 245 10$aRhythmos :$bpercorsi (alternativi) della tradizione classica /$cAnna Maria Mesturini 260 $aGenova :$bDipartimento di archeologia, filologia classica e loro tradizioni,$c2001 300 $a364 p. ;$c22 cm. 440 0$aPubblicazioni del D.AR.FI.CL.ET ;$v203 500 $aIn testa al front.: Università di Genova, Facoltà di lettere 650 4$aLetteratura greca 907 $a.b12887638$b02-04-14$c16-04-04 912 $a991002209789707536 945 $aLE007 880 MES 01.01 C.1$g1$i2007000071342$lle007$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i13451108$z16-04-04 945 $aLE007 880 MES 01.01 C.2$g2$i2007000072172$lle007$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i1345111x$z16-04-04 945 $aLE002 Ann. 244/203$g1$i2002000354891$lle002$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i13899405$z18-10-04 996 $aRhythmos$9305602 997 $aUNISALENTO 998 $ale007$ale002$b16-04-04$cm$da $e-$fita$git $h0$i2 LEADER 04438oam 2200505I 450 001 9910155129903321 005 20240505170219.0 010 $a1-317-29067-4 010 $a1-315-64499-1 010 $a1-317-29068-2 024 7 $a10.4324/9781315644998 035 $a(CKB)4340000000023840 035 $a(MiAaPQ)EBC4767029 035 $a(OCoLC)967736872 035 $a(BIP)63344170 035 $a(BIP)55700995 035 $a(EXLCZ)994340000000023840 100 $a20180706d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aEnchantment and dis-enchantment in Shakespeare and early modern drama $ewonder, the sacred, and the supernatural /$fedited by Nandini Das and Nick Davis 205 $a1st ed. 210 1$aNew York :$cRoutledge,$d2017. 215 $a1 online resource (202 pages) 225 1 $aRoutledge studies in renaissance literature and culture ;$v33 311 08$a1-138-18466-7 320 $aIncludes bibliographical references and index. 327 $a1. Demonism and disenchantment in the First part of the contention / Jesse M. Lander -- 2. Mortal, martyr, or monster? Working on the king's corpse in the Henriad / Maggie Vinter -- 3. The charm in Macbeth / E.S. Mallin -- 4. Enchanted materialism in Paracelsus, Hobbes, and Hamlet / Aaron Kitch -- 5. "Wondrous" healings " the "new philosophy", medicine and miracles on the early modern stage / Margaret Healy -- 6. "Things which are not" : idolatry and enchantment in The white devil / Chloe Porter -- 7. Charisma and the making of the misanthrope in Timon of Athens / Joan Pong Linton -- 8. "The wealthy magazine of nature" : knowledge, wonder, and gunpowder in Fletcher's The island princess / Sarah Linwick -- 9. "Almost a miracle" : penitence in The winter's tale / Sara Saylor -- 10. Ghost-stories and living monuments : brining wonders to life in The winter's tale / Erin Minear. 330 $aThis volume addresses dealings with the wondrous, magical, holy, sacred, sainted, numinous, uncanny, auratic, and sacral in the plays of Shakespeare and contemporaries, produced in an era often associated with the irresistible rise of a thinned-out secular rationalism. By starting from the literary text and looking outwards to social, cultural, and historical aspects, it comes to grips with the instabilities of 'enchanted' and 'disenchanted' practices of thinking and knowledge-making in the early modern period. If what marvelously stands apart from conceptions of the world's ordinary functioning might be said to be 'enchanted', is the enchantedness weakened, empowered, or modally altered by its translation to theatre? We have a received historical narrative of disenchantment as a large-scale early modern cultural process, inexorable in character, consisting of the substitution of a rationally understood and controllable world for one containing substantial areas of mystery. Early modern cultural change, however, involves transpositions, recreations, or fresh inventions of the enchanted, and not only its replacement in diminished or denatured form. This collection is centrally concerned with what happens in theatre, as a medium which can give power to experiences of wonder as well as circumscribe and curtail them, addressing plays written for the popular stage that contribute to and reflect significant contemporary reorientations of vision, awareness, and cognitive practice. The volume uses the idea of dis-enchantment/re-enchantment as a central hub to bring multiple perspectives to bear on early modern conceptualizations and theatricalizations of wonder, the sacred, and the supernatural from different vantage points, marking a significant contribution to studies of magic, witchcraft, enchantment, and natural philosophy in Shakespeare and early modern drama. 410 0$aRoutledge studies in Renaissance literature and culture ;$v33. 606 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism 615 0$aEnglish drama$xHistory and criticism. 676 $a822.33 676 $a822.3 701 $aDas$b Nandini$0929911 701 $aDavis$b Nick$f1977-$0929912 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910155129903321 996 $aEnchantment and dis-enchantment in Shakespeare and early modern drama$92091108 997 $aUNINA