LEADER 01518nam a2200313 i 4500 001 991002167629707536 005 20020503161833.0 008 950622s1990 it ||| | ita 020 $a8843544063 035 $ab10326078-39ule_inst 035 $aEXGIL98555$9ExL 040 $aBiblioteca Interfacoltà$bita 082 0 $a937 100 1 $aSettis, Salvatore$010347 245 10$aCiviltà dei romani /$ca cura di Salvatore Settis 260 $aMilano :$bElecta,$cc1990- 1993 300 $a4 v. :$bill. ;$c29 cm. 500 $a1 : La città, il territorio, l'impero ; 2 : Il potere e l'esercito ; 3 : Il rito e la vita privata ; 4 : Un linguaggio comune. 650 4$aRoma antica 907 $a.b10326078$b02-04-14$c27-06-02 912 $a991002167629707536 945 $aLE008 FL.M (IN) M 123$g1$i2008000174644$lle008$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10383724$z27-06-02 945 $aLE002 St. XXII H 6/I-$cV. 1$g1$i2002000722836$lle002$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10383682$z27-06-02 945 $aLE002 St. XXII H 6/II$cV. 2$g1$i2002000722843$lle002$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10383694$z27-06-02 945 $aLE002 St. XXII H 6/III$cV. 3$g1$i2002000722850$lle002$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10383700$z27-06-02 945 $aLE002 St. XXII H 6/IV$cV. 4$g1$i2002000722867$lle002$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10383712$z27-06-02 996 $aCiviltà dei romani$9175604 997 $aUNISALENTO 998 $ale008$a(4)le002$b01-01-95$cm$da $e-$fita$git $h0$i5 LEADER 02164nam 2200337 450 001 9910719759003321 005 20230704080405.0 035 $a(CKB)5600000000599005 035 $a(NjHacI)995600000000599005 035 $a(EXLCZ)995600000000599005 100 $a20230704d2023 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBits and pieces $escreening animal life and death /$fSarah O'Brien 210 1$aAnn Arbor, Michigan :$cUniversity of Michigan Press,$d2023. 215 $a1 online resource (xiii, 187 pages) 311 $a0-472-05625-5 330 $aBits and Pieces: Screening Animal Life and Death gathers pivotal and more mundane moments, dispersed across a predominantly Western history of moving images, in which animals materialize in movies and TV shows, from iconic scenes of cattle slaughter in early Soviet montage to quandaries over hunting trophies in recent home-renovation reality TV series, to animals in Black horror films. Sarah O'Brien carefully views these fragments in dialogue with germinal texts at the intersection of animal studies, film and television studies, and cultural studies. She explores the capacity of moving images to unsettle the ways in which audiences have become habituated to viewing animal life and death on screens, and, more importantly, to understanding these images as more and less connected to the "production for consumption" of animals that is specific to modern industrialization. By looking back at films and TV series in which the places and practices of killing or keeping animals enter, occupy, or slip from the foreground, Bits and Pieces takes seriously the idea that cinema and television have the capacity not only to catch but to challenge and change viewers' regard for animals. 606 $aAnimals in motion pictures 615 0$aAnimals in motion pictures. 676 $a791.43662 700 $aO'Brien$b Sarah$01062740 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910719759003321 996 $aBits and Pieces$93374104 997 $aUNINA