LEADER 00791nam a2200241 i 4500 001 991002050509707536 005 20020508185626.0 008 010514s1961 it ||| | ita 035 $ab10951775-39ule_inst 035 $aPARLA153597$9ExL 040 $aDip.to Filosofia$bita 082 0 $a704 100 1 $aGraneri, Lino$0202648 245 10$aArte, scienza e modernismo /$cLino Graneri 260 $aBari :$bNerio,$c1961 300 $a221 p. ;$c17 cm. 650 4$aArte 907 $a.b10951775$b21-09-06$c28-06-02 912 $a991002050509707536 945 $aLE005IF XXXV C 42$g1$iLE005IFA-3771$lle005$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11059461$z28-06-02 996 $aArte, scienza e modernismo$9209676 997 $aUNISALENTO 998 $ale005$b01-01-01$cm$da $e-$fita$git $h0$i1 LEADER 03158oam 2200553I 450 001 9910154611603321 005 20230808200653.0 010 $a1-351-89821-3 010 $a1-315-24249-4 024 7 $a10.4324/9781315242491 035 $a(CKB)3710000000965538 035 $a(MiAaPQ)EBC4758153 035 $a(OCoLC)965444008 035 $a(BIP)63365231 035 $a(BIP)26469373 035 $a(EXLCZ)993710000000965538 100 $a20180706e20162009 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aStaging pain, 1580-1800 $eviolence and trauma in British theater /$fedited by James Robert Allard and Mathew R. Martin 210 1$aAbingdon, Oxon :$cRoutledge,$d2016. 215 $a1 online resource (233 pages) $cillustrations 300 $aFirst published 2009 by Ashgate Publishing. 311 08$a0-7546-6758-8 311 08$a1-351-89822-1 320 $aIncludes bibliographical references and index. 327 $apt. 1. Traumatic effects -- pt. 2. Pedagogies of pain -- pt. 3. Bodies (im)politic -- pt. 4. Spectacular failures. 330 $aBookending the chronology of this collection are two crucial moments in the histories of pain, trauma, and their staging in British theater: the establishment of secular and professional theater in London in the 1580s, and the growing dissatisfaction with theatrical modes of public punishment alongside the increasing efficacy of staging extravagant spectacles at the end of the eighteenth century. From the often brutal spectacle of late medieval mystery plays to early Romantic re-evaluations of eighteenth-century appropriations of spectacles of pain, the essays take up the significance of these watershed moments in British theater and expand on recent work treating bodies in pain: what and how pain means, how such meaning can be embodied, how such embodiment can be dramatized, and how such dramatizations can be put to use and made meaningful in a variety of contexts. Grouped thematically, the essays interrogate individual plays and important topics in terms of the volume's overriding concerns, among them Tamburlaine and The Maid's Tragedy, revenge tragedy, Joshua Reynolds on public executions, King Lear, Settle's Moroccan plays, spectacles of injury, torture, and suffering, and Joanna Baillie's Plays on the Passions. Collectively, these essays make an important contribution to the increasingly interrelated histories of pain, the body, and the theater. 606 $aTheater$zGreat Britain$xHistory 606 $aViolence in the theater 606 $aPain in literature 606 $aTheater and society$zGreat Britain 615 0$aTheater$xHistory. 615 0$aViolence in the theater. 615 0$aPain in literature. 615 0$aTheater and society 676 $a792.0941 701 $aAllard$b James Robert$0952253 701 $aMartin$b Mathew R.$f1970-$0952254 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910154611603321 996 $aStaging pain, 1580-1800$92152688 997 $aUNINA