LEADER 00900nam a2200253 i 4500 001 991002048019707536 005 20020503160556.0 008 010315s1964 it ||| | ita 035 $ab10309317-39ule_inst 035 $aEXGIL96677$9ExL 040 $aBiblioteca Interfacoltà$bita 082 0 $a851.1 100 1 $aFallani, Giovanni$0174426 245 13$aIl canto 1. del Paradiso /$cGiovanni Fallani 260 $aTorino :$bSEI,$cstampa 1964 300 $a25 p. ;$c25 cm. 490 0 $aLectura Dantis Romana. N.s. 600 14$aAlighieri, Dante.$tDivina Commedia.$pParadiso. C. 1. 907 $a.b10309317$b17-02-17$c27-06-02 912 $a991002048019707536 945 $aLE002 Busta B 56 5$g1$i2002000774767$lle002$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i10365047$z27-06-02 996 $aCanto 1. del Paradiso$9131817 997 $aUNISALENTO 998 $ale002$b01-01-01$cm$da $e-$fita$git $h3$i1 LEADER 04785nam 22005773 450 001 9910619461203321 005 20231110211713.0 010 $a0-262-36210-4 010 $a0-262-37033-6 035 $a(CKB)5680000000039146 035 $a(MiAaPQ)EBC7069278 035 $a(Au-PeEL)EBL7069278 035 $a(OCoLC)1333708307 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/93163 035 $a(OCoLC-P)1333708307 035 $a(MaCbMITP)12117 035 $a(oapen)doab93163 035 $a(EXLCZ)995680000000039146 100 $a20220629d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMusical bodies, musical minds $eenactive cognitive science and the meaning of human musicality /$fDylan van der Schyff, Andrea Schiavio, and David J. Elliott 205 $a1st ed. 210 $aCambridge$cThe MIT Press$d2022 210 1$aCambridge :$cThe MIT Press,$d2022. 215 $a1 online resource (323 pages) 225 1 $aThe MIT Press 311 08$a0-262-04522-2 327 $aIntro -- Contents -- Acknowledgments -- 1. Getting Situated -- Perspectives on the Musical Mind -- Music and the Computational Mind -- Language and the Rules of Musical Perception -- Embodied Music Cognition -- Interdisciplinary Musicology and Enactive Music Cognition -- Looking Ahead -- 2. Basic Principles of Enactive Cognitive Science -- The Ecological Stance -- Autopoiesis and Autonomy -- Sense-Making -- Basic Cognition without Mental Representation? -- The Dynamical Perspective -- Life, Mind, and Culture -- The 4E Framework -- 3. Music and Consciousness -- Experience and the Computational Mind -- The Mind-Mind Problem -- Questioning Qualia -- A Propositional Proposal -- Whence the Nuances? -- Musical Consciousness as Situated Embodiment -- From Perceptual Bundles to Behavioral Forms -- 4. Phenomenology and the Musical Body -- Beginning Phenomenology -- Intentionality and the Modes of Experience -- Ghanaian Polyrhythm -- Revisiting Representation -- Embodied Mind as a "Metaphorical" Phenomenon -- Some Implications for Future Research and Theory -- 5. Music and Emotion -- Searching for Musical Emotions -- Routes and Mechanisms -- Are Musical Emotions Basic? -- The Component Process Model -- The Emotional Meaning of Musical Experience -- Musical Emotions as Dynamical and Emergent -- Music, Emotion, and Social Life -- 6. The Empathic Connection -- Embodied Simulation Theory -- Interaction Theory -- Psychological Precursors to Interaction Theory -- Musical Scaffolding -- Empathic Space -- Toward an Enactive View of Musical Empathy -- Therapeutic Interventions -- 7. The Evolution of the Musical Mind -- Music and the Dichotomy of Adaptation -- A Biocultural Perspective -- Looking beyond Adaptationism -- The Rhythmic Origins of the Musical Mind -- Plastic Brains -- Evolving Embodied Minds -- Enactivism Meets the Biocultural Perspective. 327 $aLife, Music, and Meaning -- 8. Teleomusicality -- The Biocognitive Foundations of Infant Musicality -- Perception in Action -- Toward Teleomusicality -- Varieties of Teleomusical Acts -- 9. Creative Musical Bodies -- The Corporeal Foundations of Creativity -- The Es of Musical Creativity -- Musical Worldviews -- Musical Learning as Embodied, Exploratory, and Creative -- 10. Praxis -- Music Education and the "Aesthetic View" -- Rediscovering the Musical Body -- Praxis, Enaction, and Music Education -- Relationality and the Ethics of Care -- Implications for Curriculum -- Critical Ontology -- Parting Thoughts -- Notes -- 1 Getting Situated -- 2 Basic Principles of Enactive Cognitive Science -- 3 Music and Consciousness -- 4 Phenomenology and the Musical Body -- 5 Music and Emotion -- 6 The Empathic Connection -- 7 The Evolution of the Musical Mind -- 8 Teleomusicality -- 9 Creative Musical Bodies -- 10 Praxis -- References -- Index. 330 $a"An attempt to explain musical cognition from the perspective of embodied cognitive science. Emphasizes interactive sense-making with the environment rather than internal neural mechanisms"--$cProvided by publisher. 410 4$aThe MIT Press 606 $aMusic$xPsychological aspects 606 $aCognitive psychology 606 $aCognition 615 0$aMusic$xPsychological aspects. 615 0$aCognitive psychology. 615 0$aCognition. 676 $a781.1/1 700 $aVan der Schyff$b Dylan$f1970-$01263927 701 $aElliott$b David J$g(David James),$f1948-$01368063 702 $aSchiavio$b Andrea 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910619461203321 996 $aMusical bodies, musical minds$93392489 997 $aUNINA