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040   $aBiblioteca Interfacoltà$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l.
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245 10$aPergamene dei secc. XVI-XVII nell'Archivio di Stato di Lecce /$cMichela Pastore
260   $aBari :$bEcumenica,$c1980
300   $a274 p. ;$c24 cm
440  0$aNote di civiltà medievale / Università degli studi di Lecce Facoltà di Magistero Istituto di studi medievali ;$v2
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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aStir it up$b[electronic resource] $emusical mixes from roots to jazz /$fGene Santoro
210   $aNew York $cOxford University Press$d1997
215   $a1 online resource (202 p.)
300   $aIncludes index.
311   $a0-19-509869-2 
327   $aContents; Preface; Me and Julio; Arc of a Diver; Hippie Preacher; Every Breath You Take; Buck Naked; This Year's Model; 50-Foot Queenie; Who's The Boss; Punk Repunked; Bird on a Wire; Voodoo Child; Mr. Soul; R-E-S-P-E-C-T; Blues Walkin' Like a Man; The Black Liberace; Master of Space; Chasin' the Answer; Harmolodic Philosopher; The Turtle; Portrait in Three Colors; The Bulldog; The Two of Us; Across the Great Divide; Out of the Tradition; I Have a Dream; La Cucaracha; Stir It Up; Voodoo Rock; The Man from Bahia; Afropop's Avatar; The Lion of Zimbabwe; Lilt; Index
330   $aIn this second collection of his essays, author Santoro explores how, as music criss-crosses the globe with ever-greater speed, musicians seize what is useful to them and expand their idioms more rapidly. His subjects include: Jimi Hendrix; Paul Simon; Charles Mingus; and Thelonius Monk.
606   $aPopular music$xHistory and criticism
606   $aJazz$xHistory and criticism
615  0$aPopular music$xHistory and criticism.
615  0$aJazz$xHistory and criticism.
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