LEADER 01140nam a2200301 i 4500 001 991001963589707536 005 20020507154539.0 008 000904s1993 it ||| | ita 020 $a8814040745 035 $ab11589541-39ule_inst 035 $aLE02728159$9ExL 040 $aDip.to Studi Giuridici$bita 082 0 $a342.4509 084 $aAM-X/C 245 10$aFunzioni da trasferire agli enti locali dell'area metropolitana dopo la Legge 142/1990 260 $aMilano :$bA. Giuffrè,$c1993 300 $a109 p. ;$c24 cm. 490 0 $aQuaderni I.S.A.P ;$v30 500 $aRelazioni presentate a un seminario tenuto a Milano nel 1992. 500 $aSegue: Appendice 650 4$aEnti locali$xLegislazione 650 4$aMetropoli$xAmministrazione$zLombardia 907 $a.b11589541$b01-03-17$c02-07-02 912 $a991001963589707536 945 $aLE027 AM-X/C 7$g1$iLE027I-2770$lle027$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11798932$z02-07-02 996 $aFunzioni da trasferire agli enti locali dell'area metropolitana dopo la Legge 142$9896373 997 $aUNISALENTO 998 $ale027$b01-01-00$cm$da $e-$fita$git $h0$i1 LEADER 01871oam 2200253z- 450 001 9910136040903321 005 20230913112557.0 010 $a1-61230-911-9 035 $a(CKB)3710000000908630 035 $a(BIP)053625613 035 $a(EXLCZ)993710000000908630 100 $a20190224c2016uuuu -u- - 101 0 $aeng 200 14$aThe Battle of Waterloo 210 $cNew Word City, Inc 330 8 $a"My system has changed - no more war, no more conquests," Napoleon announced after his escape from Elba in 1815. In the space of what is now known as the Hundred Days, the deposed French emperor was to demonstrate that nothing had changed. Only forty-six, he still possessed the ambition that made Europe quake at the news of his return to France, the magnetism that made men offering undying devotion swarm to his side, and the military genius that could plan, execute, and very nearly win a brilliant campaign against vastly superior odds.The battle that ended the career of the greatest conqueror of modern times was Waterloo. National Book Award winner J. Christopher Herold, a lifelong Napoleon scholar, tells the story of Waterloo with special emphasis on the emperor's role. But it is also the story of the Duke of Wellington, who led a mixed force of British, Belgian, Dutch, and Hanoverian troops in a masterly defensive operation.Like all military contests, Waterloo was a series of blunders and misunderstandings mixed with acts of heroism, timidity, and endurance. But because it permanently shattered Napoleon's dreams of conquest, Waterloo has a special place as one of the decisive battles in world history. 610 $aFiction 676 $a940.2/7 702 $aHerold$b J. Christopher$4adp 712 02$aNew Word City Editors,$4edt 906 $aBOOK 912 $a9910136040903321 996 $aThe Battle of Waterloo$93593370 997 $aUNINA LEADER 03157nam 2200529 450 001 9910796914903321 005 20230617034410.0 010 $a1-4742-4297-9 035 $a(CKB)3710000000371840 035 $a(EBL)1983221 035 $a(SSID)ssj0001468831 035 $a(PQKBManifestationID)11843801 035 $a(PQKBTitleCode)TC0001468831 035 $a(PQKBWorkID)11525702 035 $a(PQKB)11180270 035 $a(MiAaPQ)EBC1983221 035 $a(EXLCZ)993710000000371840 100 $a20150319h20032003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aIn Arden $eediting Shakespeare essays in honour of Richard Proudfoot /$fedited by Ann Thompson and Gordon McMullan 210 1$aLondon, [England] :$cBloomsbury Arden Shakespeare,$d2003. 210 4$d©2003 215 $a1 online resource (314 p.) 225 1 $aArden Shakespeare 300 $aIncludes index. 311 $a1-336-21253-5 311 $a1-904271-31-6 327 $aCover; Half-title; Series; Title; Copyright; Contents; List of contributors; Introduction; PART I: BIBLIOGRAPHY/THEORY OF EDITING; 1 Shakespeares various; 2 The continuing importance of New Bibliography; 3 Correct impressions: editing and evidence in the wake of post-modernism; 4 Early play texts: forms and formes; PART II: EDITING AND FEMINISM; 5 'To foster is not always to preserve': feminist inflections in editing Pericles; 6 Editing Desdemona; 7 Who is performing 'in' these text(s)?; or, Shrew-ing around; PART III: EDITING AND STAGE PRACTICE; 8 To edit? To direct? - Ay, there's the rub 327 $a9 Raw flesh/lion's flesh: a cautionary note on stage directions10 Reading in the moment: theatre practice as a guide to textual editing; 11 Annotating silence; PART IV: ANNOTATION AND COLLATION; 12 The social function of annotation; 13 The character of a footnote . . . or, annotation revisited; 14 To be or not to be; 15 Richly noted: a case for collation inflation; PART V: THE PLAYWRIGHT AND OTHERS; 16 Sources and cruces; 17 Topical forest: Kemp and Mar-text in Arden; 18 Some call him Autolycus; Appendix; Index 330 $aA collection of new and specially commissioned essays by an eminent team of Shakespeare scholars, focusing on the particular issues relating to the editing of Shakespeare and other Renaissance texts. The editing of dramatic and other literary texts has always been an important aspect of literary studies. In recent years, editing and the theoretical frameworks that underlie editing practices have become a lively and controversial focus of debate, sparked both by philosophical discussions on 'the death of the author' and by the technological challenges presented by the possibilities of electroni 410 0$aArden Shakespeare (Critical studies) 606 $aDrama$xEditing 615 0$aDrama$xEditing. 676 $a822.33 702 $aThompson$b Ann 702 $aMcMullan$b Gordon 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910796914903321 996 $aIn Arden$93832494 997 $aUNINA