LEADER 01382nam a2200277 i 4500 001 991001944799707536 005 20020508184032.0 008 980424s1990 it ||| | ita 035 $ab10936191-39ule_inst 035 $aPARLA151663$9ExL 040 $aDip.to Scienze dell'Antichità$bita 100 1 $aDel Prete, Pompilio$0465690 245 10$aAnalecta critica /$cPompilio Del Prete 260 $aLecce :$bAdriatica editrice salentina,$cstampa 1990 300 $a61 p. ;$c20 cm 490 0 $aStudi e testi. Serie latina 907 $a.b10936191$b23-02-17$c28-06-02 912 $a991001944799707536 945 $aLE007 870 DEL 02.01$g1$i2015000015662$lle007$nLE007 2014 CC$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i11042382$z28-06-02 945 $aLE007 870 DEL 02.01$g2$i2015000015679$lle007$nLE007 2014 CC$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i11042394$z28-06-02 945 $aLE007 870 DEL 02.01$g3$i2015000015686$lle007$nLE007 2014 CC$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i11042400$z28-06-02 945 $aLE007 870 DEL 02.01$g4$i2015000015693$lle007$nLE007 2014 CC$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i11042412$z28-06-02 945 $aLE007 870 DEL 02.01$g5$i2015000015709$lle007$nLE007 2014 CC$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i11042424$z28-06-02 996 $aAnalecta critica$9210396 997 $aUNISALENTO 998 $ale007$b01-01-98$cm$da $e-$fita$git $h0$i5 LEADER 01529nas 2200493- 450 001 9910407759003321 005 20230429213018.0 011 $a2549-2993 035 $a(OCoLC)1175637616 035 $a(CKB)4100000011324953 035 $a(CONSER)--2020256940 035 $a(EXLCZ)994100000011324953 100 $a20200709a20179999 --- - 101 0 $aeng 135 $aur|n||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aMedical technology and public health journal 210 1$aSurabaya, Jawa Timur :$cUniversitas Nahdlatul Ulama Surabaya,$d2017- 215 $a1 online resource 300 $aRefereed/Peer-reviewed 311 08$a2549-189X 517 1 $aMTPHJ 517 1 $aMTPHJ journal 531 1 $aMedical technol. public health j. 606 $aPublic health$vPeriodicals 606 $aPublic health$zIndonesia$vPeriodicals 606 $aMedical technology$vPeriodicals 606 $aPublic health$2fast$3(OCoLC)fst01082238 606 $aMedical technology$2fast$3(OCoLC)fst01014742 607 $aIndonesia$2fast 608 $aPeriodicals.$2fast 608 $aPeriodicals.$2lcgft 615 0$aPublic health 615 0$aPublic health 615 0$aMedical technology 615 7$aPublic health. 615 7$aMedical technology. 712 02$aUniversitas Nahdlatul Ulama Surabaya, 906 $aJOURNAL 912 $a9910407759003321 996 $aMedical technology and public health journal$92573497 997 $aUNINA LEADER 03941nam 22005655 450 001 9910988392903321 005 20250319115245.0 010 $a3-031-83410-0 024 7 $a10.1007/978-3-031-83410-3 035 $a(CKB)38012313700041 035 $a(DE-He213)978-3-031-83410-3 035 $a(MiAaPQ)EBC31970726 035 $a(Au-PeEL)EBL31970726 035 $a(OCoLC)1512435461 035 $a(EXLCZ)9938012313700041 100 $a20250319d2025 u| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aJerome Kern?s Jewel Box $eThe Princess Musicals and the Little Theatre Movement /$fby Stephanie Ruozzo 205 $a1st ed. 2025. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2025. 215 $a1 online resource (XVII, 223 p. 16 illus.) 225 0 $aLiterature, Cultural and Media Studies 311 08$a3-031-83409-7 327 $a1. American Realism in the Wake of World War one -- 2. Nobody Home and the ?Intimate Musical Comedy? -- 3. Very Good Eddie and the Libretti of Guy Bolton -- 4. Oh, Boy! and the Lyrics of PG Wodehouse -- 5. Leave it to Jane and the Reality of America at War -- 6. Oh, Lady! Lady!! and the End of the Trio of Musical Fame. 330 $aJerome Kern?s Jewel Box shows how the integration of spoken and sung performances in Kern's early musicals reveals new connections between musical theater scores and ?straight? (spoken) theater. Kern?s scores are foundational to the American musical, and subsequent dramatic music would be unrecognizable without Kern?s innovations. This book argues that Kern?s scores for a group of musicals staged at the Princess Theatre embody a musical corollary to the Realist drama of the Little Theatre Movement. The umbrella term ?Princess musicals? includes the four musicals that Jerome Kern composed for New York City?s Princess Theatre: Nobody Home (1915), Very Good Eddie (also 1915), Oh, Boy! (1917), and Oh, Lady! Lady!! (1918), as well as Leave It to Jane (1917), a musical conceived for the Princess. Each separate Princess musical bears distinct hallmarks of Little Theatre sensibility, and that these hallmarks are overwhelmingly represented in the sung/musical portions of the drama. The book?s first chapter explores the influences of WWI and the Little Theatre Movement on the American stage (legitimate and musical). The subsequent chapters are studies of the five so-called ?intimate musical comedies? that resulted from Kern?s engagement with these influences. The case studies all demonstrate how the shows? scores advance the same artistic aims voiced by prominent members of the Little Theatre Movement. Ultimately, this project leads musical theater historians to reconsider the place of musicals in relation to the legitimate theatre and the historiography we construct around the ?integrated? musical. Stephanie Ruozzo holds a Ph.D. in historical musicology from Case Western Reserve University (USA), and is currently an instructor there and is Musicologist in Residence at Cleveland Opera Theatre. She has presented extensively on musical theatre and opera. 606 $aMusical theater 606 $aMusic$xHistory and criticism 606 $aPopular music 606 $aMusic Theatre 606 $aHistory of Music 606 $aPopular Music 615 0$aMusical theater. 615 0$aMusic$xHistory and criticism. 615 0$aPopular music. 615 14$aMusic Theatre. 615 24$aHistory of Music. 615 24$aPopular Music. 676 $a782.14 700 $aRuozzo$b Stephanie$4aut$4http://id.loc.gov/vocabulary/relators/aut$01803271 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910988392903321 996 $aJerome Kern?s Jewel Box$94350047 997 $aUNINA