LEADER 01302pam a2200289 a 4500 001 991001943799707536 008 061109s2003 enka 000 0 eng d 020 $a0521754496 020 $a9780521754491 035 $ab13451868-39ule_inst 040 $aSet. Economia$bita 082 $a428.3451 100 1 $aSweeney, Simon$0603101 245 10$aEnglish for business communication.$pStudent's book /$cSimon Sweeney 250 $a2. ed 260 $aCambridge :$bCambridge University,$c2003 300 $aiv, 174 p. :$bill. ;$c28 cm 650 4$aLingua inglese$vManuali di conversazione commerciale 907 $a.b13451868$b30-11-15$c09-11-06 912 $a991001943799707536 945 $aLE025 ECO 428 SWE01.01$g1$i2025000110472$lle025$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i14923981$z30-01-09 945 $aLE025 ECO 428 SWE01.01 $g2$i2025000124905$lle025$op$pE34.05$q-$rl$s- $t0$u0$v0$w0$x0$y.i14418332$z03-04-07 945 $aLE025 ECO 428 SWE01.01 $g3$i2025000118997$lle025$og$pE34.05$q-$rl$s- $t0$u1$v1$w1$x0$y.i14625490$z04-12-07 945 $aLE025 ECO 428 SWE01.01 $g4$i2025000124899$lle025$op$pE34.05$q-$rl$s- $t0$u2$v0$w2$x0$y.i14418320$z03-04-07 996 $aEnglish for business communication$91016036 997 $aUNISALENTO 998 $ale025$b09-11-06$cm$da $e-$feng$genk$h0$i0 LEADER 03322nam 2200565 450 001 9910162792903321 005 20191015111955.0 010 $a1-350-98615-1 010 $a1-78672-076-0 024 7 $a10.5040/9781350986152 035 $a(CKB)3710000001042640 035 $a(MiAaPQ)EBC4792859 035 $a(OCoLC)1139315433 035 $a(CaBNVSL)9781350986152 035 $a(CaBNVSL)mat50986152 035 $a(EXLCZ)993710000001042640 100 $a20191015e20192016 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aDrone age cinema $eaction film and sensory assault /$fSteen Ledet Christiansen 205 $aFirst edition. 210 1$aLondon, England :$cI.B. Tauris & Co. Ltd,$d2016. 210 2$aLondon, England :$cBloomsbury Publishing,$d2019. 215 $a1 online resource (ix, 211 pages, 16 unnumbered pages of plates) $ccolor illustrations 225 1 $aInternational library of the moving image ;$v38 311 $a1-78453-640-7 320 $aIncludes bibliographical references (pages 202-208) and index. 327 $aWar of the senses -- Vectors and the transfer of affect -- Kinetics and the force of movement -- Volatility and flexible bodies -- Corporeal projections and drone bodies -- Droning and audiovisual stun mode -- Cinematic war machines. 330 $a"At a time when technological advances are transforming cultures and supporting new automated military operations, action films engage the senses and, in doing so, allow viewers to embody combat roles. This book argues that through film the viewer adapts to an ecology of fear, one that reflects global panic at the near-constant threat of conflict and violence. Often overwhelming in its audiovisual assault, action cinema attempts to overpower our bodies with its own through force and intensity. In this book, Steen Ledet Christiansen identifies five aspects central to how action films produce such physical movements and responses through vectors, droning, kinetics, telesomatics and volatility and in so doing unveils new modes of perception that acclimatise us for warfare. Drawing on theories from film-philosophy and a consideration of the aesthetics and phenomenology of war, this is an innovative study of the evolving action movie and its role in the targeted address of battle. Chapters investigate new modes of cinematic experience through in-depth case studies of Iron Man, Avatar and the Jason Bourne trilogy, through to The Hurt Locker and Mad Max: Fury Road." -- Publisher's description. 410 0$aInternational library of the moving image ;$v38. 606 $aAction and adventure films$vCase studies 606 $aAction and adventure films$xHistory and criticism 606 $aTechnology in motion pictures 606 $2Film: styles & genres 615 0$aAction and adventure films 615 0$aAction and adventure films$xHistory and criticism. 615 0$aTechnology in motion pictures. 676 $a791.43/6582 700 $aChristiansen$b Steen Ledet$0800575 712 02$aBloomsbury (Firm), 801 0$bYDX 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910162792903321 996 $aDrone age cinema$92892035 997 $aUNINA