LEADER 00951nam a22002651i 4500 001 991001932289707536 005 20030414150534.0 008 030925s1953 it |||||||||||||||||ita 035 $ab12217839-39ule_inst 035 $aARCHE-026548$9ExL 040 $aBiblioteca Interfacoltà$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a858.8 245 00$aCantoni /$ca cura di Riccardo Bacchelli 260 $aMilano :$bGarzanti,$c[1953] 300 $aLVI, 872 p. ;$c19 cm 440 0$aRomanzi e racconti italiani dell'Ottocento 650 4$aCantoni, Alberto$xOpere 700 1 $aBacchelli, Riccardo 700 1 $aCantoni, Alberto 907 $a.b12217839$b02-04-14$c08-10-03 912 $a991001932289707536 945 $aLE002 A It. I A 3 bis$g1$i2002000083715$lle002$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i1259832x$z08-10-03 996 $aCantoni$9155964 997 $aUNISALENTO 998 $ale002$b08-10-03$cm$da $e-$fita$git $h0$i1 LEADER 05183nam 22006975 450 001 9910595044803321 005 20240313122913.0 010 $a9783030968182$b(electronic bk.) 010 $z9783030968175 024 7 $a10.1007/978-3-030-96818-2 035 $a(MiAaPQ)EBC7088029 035 $a(Au-PeEL)EBL7088029 035 $a(CKB)24837136000041 035 $a(DE-He213)978-3-030-96818-2 035 $a(EXLCZ)9924837136000041 100 $a20220915d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aIndexing 'Chav' on Social Media $eTransmodal Performances of Working-Class Subcultures /$fby Emilia Di Martino 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (380 pages) 311 08$aPrint version: Di Martino, Emilia Indexing 'Chav' on Social Media Cham : Springer International Publishing AG,c2022 9783030968175 327 $aChapter 1. Introduction -- Chapter 2. Theoretical Framework -- Chapter 3. 'Chav' -- Chapter 4. The Chav -- Chapter 5. New Digital Media and the Chav -- Chapter 6. Pulling the Threads Together and Expanding on 'Chav' in Social Media -- Chapter 7. Concluding Remarks. 330 $a"This marvelous book offers a fresh perspective on class formations in the 21st century. Originally a derogatory epithet for a British underclass, the term Chav was to become the moniker for a gradiently inhabitable social identity, performable and negotiable through the behaviors that make Chav personae identifiable, and eventually to undergo ever-changing forms of reanalysis and regrouping in the lives of British citizens. By carefully tracing these developments through the last two decades, this book shows that any attempt to reify class formations-by criteria of disposable income, and the like-fails utterly to account for the manner in which class identities are created and transformed through the discursive interactions in which they live." -Asif Agha, University of Pennsylvania, USA The book sets out to examine the concept of 'chav', providing a review of its origins, its characterological figures, the process of enregisterment whereby it has come to be recognized in public discourse, and the traits associated with it in traditional media representations. The author then discusses the 'chav' label in light of recent re-appropriations in social network activity (particularly through the video-sharing app TikTok) and subsequent commentary in the public sphere. She traces the evolution of the term from its use during the first decade of the twenty-first century to make sense of class, status and cultural capital, to its resurgence and the ways in which it is still associated with appearance in gendered and classed ways. She then draws on recent developments in linguistic anthropology and embodied sociocultural linguistics to argue that social media users draw on communicative resources to perform identities that are both situated in specific contexts of discourse and dynamically changing, challenging the idea that geo-sociocultural varieties and mannerisms are the sole way of indexing membership of a community. This volume contends that equating 'chav' with 'underclass' in the most recent uses of the concept on social networks may not be the whole story, and the book will be of interest to sociocultural linguistics and identity researchers, as well as readers in anthropology, sociology, British studies, cultural studies, identity studies, digital humanities, and sociolinguistics. Emilia Di Martino is an associate professor at the Suor Orsola Benincasa University of Naples, Italy. She is interested in a wide variety of topics, mostly focusing on the nexus between identity, language, and power. She has presented at many local and international conferences, and has published extensively, including the book Celebrity Accents and Public Identity Construction: Analyzing Geordie Stylizations (2019). 606 $aSociolinguistics 606 $aEthnology 606 $aDigital humanities 606 $aPopular culture 606 $aSocial media 606 $aAnthropological linguistics 606 $aSociolinguistics 606 $aSociocultural Anthropology 606 $aDigital Humanities 606 $aPopular Culture 606 $aSocial Media 606 $aLinguistic Anthropology 615 0$aSociolinguistics. 615 0$aEthnology. 615 0$aDigital humanities. 615 0$aPopular culture. 615 0$aSocial media. 615 0$aAnthropological linguistics. 615 14$aSociolinguistics. 615 24$aSociocultural Anthropology. 615 24$aDigital Humanities. 615 24$aPopular Culture. 615 24$aSocial Media. 615 24$aLinguistic Anthropology. 676 $a306.440941 676 $a306.44 700 $aDi Martino$b Emilia$0326343 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910595044803321 996 $aIndexing 'Chav' on Social Media$92916018 997 $aUNINA