LEADER 03446nam 2200649 450 001 9910460111603321 005 20200520144314.0 010 $a1-282-96070-9 010 $a9786612960703 010 $a1-4081-3096-3 010 $a1-4081-9874-6 035 $a(CKB)2670000000067316 035 $a(EBL)591104 035 $a(OCoLC)727647679 035 $a(SSID)ssj0000472394 035 $a(PQKBManifestationID)12212194 035 $a(PQKBTitleCode)TC0000472394 035 $a(PQKBWorkID)10435533 035 $a(PQKB)10606007 035 $a(MiAaPQ)EBC591104 035 $a(Au-PeEL)EBL591104 035 $a(CaPaEBR)ebr11002869 035 $a(CaONFJC)MIL296070 035 $a(OCoLC)893334724 035 $a(EXLCZ)992670000000067316 100 $a20151001h20102010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aProduction management for TV and film $ethe professional's guide /$fLinda Stradling 210 1$aLondon, England :$cMethuen Drama,$d2010. 210 4$dİ2010 215 $a1 online resource (362 p.) 225 1 $aProfessional Media Practice 300 $aDescription based upon print version of record. 311 $a1-4081-2180-8 320 $aIncludes bibliographical references and index. 327 $aCover Page; Title Page; Copyright Page; Table of Contents; Acknowledgements; Introduction; 1 The Role of the Production Manager in Documentary and Factual Projects; 2 Working in Drama; 3 An Introduction to Budgeting a Documentary; 4 Scheduling; 5 Cash Flow - What it is and How to do it; 6 A Guide to Essential Documentation; 7 Systems and Cost Control; 8 Dealing with the Broadcaster; 9 VAT and the Production Manager; 10 Insurance; 11 Negotiating Contracts, Hiring and Firing; 12 'Recces', Setting Up Shoots and Foreign Filming; 13 Health & Safety 327 $a14 Interviewing and the Ethics of the Documentary15 Archive and Copyright; 16 Computer Generated Imagery (CGI); 17 Music: A Brief Guide; 18 Post Production and Editorial Staff; 19 Deliverables; 20 The Other Side of Production Management; Appendix: help agencies, trade unions, industry jargon and other useful references 330 $aWhat Linda Stradling doesn't know about production management isn't worth knowing The Documentary Filmmakers Group Production Managers are responsible for all the organisational aspects of a TV or film production such as scheduling and budgeting and assisting producers to interpret and realise the directors' vision. Linda Stradling is a highly experienced production manager and trainer. Her book is based on her training handouts and notes and offers a complete 'manual' to the role including: self organisation and systems to use, budgets, schedules and cost control, cash flow, hiring and firing 410 0$aProfessional media practice. 606 $aTelevision$xProduction and direction$xManagement 606 $aMotion pictures$xProduction and direction$xManagement 608 $aElectronic books. 615 0$aTelevision$xProduction and direction$xManagement. 615 0$aMotion pictures$xProduction and direction$xManagement. 676 $a791.450232 700 $aStradling$b Linda$01056402 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910460111603321 996 $aProduction management for TV and film$92490734 997 $aUNINA LEADER 00972nam a2200277 i 4500 001 991001885199707536 005 20020508183253.0 008 970418s1990 ||| ||| | grc 020 $a3519010135 035 $ab10927256-39ule_inst 035 $aPARLA150561$9ExL 040 $aDip.to Filol. Class. e Med.$bita 041 0 $agrclat 082 0 $a882.01 100 1 $aAeschylus$0153340 245 10$aAeschyli Tragoediae :$bcum incerti poetae Prometheo /$cedidit Martin L. West 260 $aStutgardiae :$bB.G. Teubner,$c1990 300 $alxxxv, 508 p. ;$c21 cm. 650 4$aEschilo - Tragoediae$xEdizione critica 700 1 $aWest, Martin Litchfield 907 $a.b10927256$b21-09-06$c28-06-02 912 $a991001885199707536 945 $aLE007 C Aesch 80$g1$i2007000001509$lle007$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i11031748$z28-06-02 996 $aAeschyli Tragoediae$9480643 997 $aUNISALENTO 998 $ale007$b01-01-97$cm$da $e-$feng$gxx $h0$i1