LEADER 01213nam--2200421---450- 001 990002893680203316 005 20070402132446.0 010 $a88-8490-983-X 035 $a000289368 035 $aUSA01000289368 035 $a(ALEPH)000289368USA01 035 $a000289368 100 $a20070330d2006----km-y0itay50------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aTempo di revisione$fRita Levi Montalcini, Giuseppina Tripodi 210 $aMilano$cBaldini & Castoldi Dalai$dcopyr. 2006 215 $a161 p.$d22 cm 225 2 $a<> saggi$v324 300 $aIn cofanetto 410 0$12001$a<> saggi$v324 454 1$12001 461 1$1001-------$12001 606 0 $aDiritti dell'uomo 676 $a337.09051 700 1$aLEVI MONTALCINI,$bRita$0127523 701 1$aTRIPODI,$bGiuseppina$0596504 801 0$aIT$bsalbc$gISBD 912 $a990002893680203316 951 $aII.6. 1352$b197786 L.M.$cII.6.$d00127718 959 $aBK 969 $aUMA 979 $aVITALE$b90$c20070330$lUSA01$h1623 979 $aVITALE$b90$c20070330$lUSA01$h1624 979 $aVITALE$b90$c20070402$lUSA01$h1324 996 $aTempo di revisione$9990181 997 $aUNISA LEADER 02155 am 22004453u 450 001 9910646000503321 005 20230126215823.0 010 $a1-912808-23-4 035 $a(CKB)4100000003160945 035 $a(MiAaPQ)EBC5510788 035 $a(ScCtBLL)c553c003-5ace-4a29-a29e-80749b42e0f0 035 $a(EXLCZ)994100000003160945 100 $a20180927d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWhy we play $ean anthropological study /$fRoberte Hamayon ; translated by Damien Simon ; foreword by Michael J. Puett 205 $aEnlarged edition. 210 1$aChicago :$cHAU Books,$d[2016] 210 4$dİ2016 215 $a1 online resource (252 pages) 311 $a0-9861325-6-X 330 $aWhether it's childhood make-believe, the theater, sports, or even market speculation, play is one of humanity's seemingly purest activities: a form of entertainment and leisure and a chance to explore the world and its possibilities in an imagined environment or construct. But as Roberte Hamayon shows in this book, play has implications that go even further than that. Exploring play's many dimensions, she offers an insightful look at why play has become so ubiquitous across human cultures. Hamayon explores facets of play such as learning, interaction, emotion, strategy, luck, and belief, and she emphasizes the crucial ambiguity between fiction and reality that is at the heart of play as a phenomenon. Revealing how consistent and coherent play is, she ultimately shows it as a unique modality of action that serves an invaluable role in the human experience. 606 $aGames$xSocial aspects 606 $aPlay$xSocial aspects 615 0$aGames$xSocial aspects. 615 0$aPlay$xSocial aspects. 676 $a306.487 700 $aHamayon$b Roberte$0638557 702 $aSimon$b Damien 702 $aPuett$b Michael J.$f1964- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910646000503321 996 $aWhy we play$93005936 997 $aUNINA LEADER 01352nam a2200325 i 4500 001 991001875089707536 005 20020508183135.0 008 971031s1992 it ||| | fre 020 $a8879290894 035 $ab10925752-39ule_inst 035 $aPARLA150379$9ExL 040 $aDip.to Filosofia$bita 041 0 $afregerita 082 0 $a016.7811 100 1 $aCingolani, Sergio$0509572 245 10$aAcustica degli strumenti musicali :$bbibliografia 1840-1990 = Acoustics of the musical instruments : bibliography 1840-1990 /$cSergio Cingolani 260 $aCremona :$bTurris,$c1992 300 $axxxv, 327 p. :$bill. ;$c24 cm. 490 0 $aCollana di liuteria e cultura musicale ;$v3. 500 $aSegue: Appendice 650 4$aStrumenti musicali$xCostruzione$xBibliografia 650 4$aStrumenti musicali$xAcustica e fisica$xBibliografia 650 4$aAcustica musicale$xBibliografia 907 $a.b10925752$b23-02-17$c28-06-02 912 $a991001875089707536 945 $aLE019 A22 MUS G 1$g1$i2019000065498$lle019$og$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i15205277$z02-12-10 945 $aLE005 MF 51 D 9$g1$i2005000003943$lle005$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11029973$z28-06-02 996 $aAcustica degli strumenti musicali$9920102 997 $aUNISALENTO 998 $ale019$ale005$b01-01-97$cm$da $e-$ffre$git $h0$i2