LEADER 01760nam 22005894a 450 001 9910455666303321 005 20200520144314.0 010 $a1-280-53794-9 010 $a9786610537945 010 $a1-4175-0192-8 010 $a1-84642-372-4 035 $a(CKB)111087028274238 035 $a(OCoLC)567905524 035 $a(CaPaEBR)ebrary10064396 035 $a(SSID)ssj0000161128 035 $a(PQKBManifestationID)11163082 035 $a(PQKBTitleCode)TC0000161128 035 $a(PQKBWorkID)10197869 035 $a(PQKB)10793248 035 $a(MiAaPQ)EBC290790 035 $a(Au-PeEL)EBL290790 035 $a(CaPaEBR)ebr10064396 035 $a(CaONFJC)MIL53794 035 $a(OCoLC)437178132 035 $a(EXLCZ)99111087028274238 100 $a20020325d2003 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aGender issues in art therapy$b[electronic resource] /$fedited by Susan Hogan ; foreword by Diane Wallet 210 $aLondon ;$aPhiladelphia, Pa. $cJessica Kingsley Pub.$d2003 215 $a1 online resource (240 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-84985-178-6 311 $a1-85302-798-7 320 $aIncludes bibliographical references and index. 606 $aArt therapy 606 $aSex role$xPsychological aspects 608 $aElectronic books. 615 0$aArt therapy. 615 0$aSex role$xPsychological aspects. 676 $a615.8/5156 701 $aHogan$b Susan$0915751 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910455666303321 996 $aGender issues in art therapy$92052898 997 $aUNINA LEADER 00954nam a2200241 i 4500 001 991001868589707536 005 20020503154424.0 008 990118s1973 it ||| | ita 035 $ab10284072-39ule_inst 035 $aEXGIL92826$9ExL 040 $aBiblioteca Interfacoltà$bita 100 1 $aGraziosi, Paolo$0465924 245 12$aL'arte preistorica in Italia /$cPaolo Graziosi 260 $aFirenze :$bSansoni,$c1973 300 $aIV, 203 p., 191 p. di tav. :$bill. ;$c24 cm. 650 4$aArte preistorica$zItalia 907 $a.b10284072$b02-04-14$c27-06-02 912 $a991001868589707536 945 $aLE002 Ar. II A 16$g1$i2002000976963$lle002$o-$pE0.00$q-$rl$s- $t0$u3$v0$w3$x0$y.i10336564$z27-06-02 945 $aLE002 Ar. II L 12$g1$i2002000978875$lle002$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10336576$z27-06-02 996 $aArte preistorica in Italia$9209673 997 $aUNISALENTO 998 $ale002$b01-01-99$cm$da $e-$fita$git $h2$i2 LEADER 03893nam 22005292 450 001 996210324003316 005 20230608152702.0 010 $a9781139002028 (eBook) 035 $a(CKB)2670000000147321 035 $a(MH)010253533-7 035 $a(SSID)ssj0000588167 035 $a(PQKBManifestationID)11352805 035 $a(PQKBTitleCode)TC0000588167 035 $a(PQKBWorkID)10644844 035 $a(PQKB)11375656 035 $a(UkCbUP)CR9781139002028 035 $a(EXLCZ)992670000000147321 100 $a20110114d2003|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe Cambridge companion to the guitar /$fedited by Victor Anand Coelho$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2003. 215 $a1 online resource (xiii, 264 pages) $cdigital, PDF file(s) 225 1 $aCambridge companions to music 300 $aTitle from publisher's bibliographic system (viewed on 09 Nov 2015). 311 0 $a9780521000406 (Paperback) 311 0 $a9780521801928 (Hardback.) 320 $aIncludes bibliographical references (p. 249-251) and indexes. 327 $apt. I. New guitar histories and world traditions. Picking through cultures: a guitarist's music history / Victor Anand Coelho -- Flamenco guitar: history, style, status / Peter Manuel -- The Celtic guitar: crossing cultural boundaries in the twentieth century / Christopher J. Smith -- African reinventions of the guitar / Banning Eyre. pt. II. Jazz, roots, and rock. The guitar in jazz / Graeme M. Boone -- A century of blues guitar / Jas Obrecht -- The turn to noise: rock guitar from the 1950s to the 1970s / Steve Waksman -- Contesting virtuosity: rock guitar since 1976 / Steve Waksman -- The guitar in country music / Gordon Ross. pt. III. Baroque and classical guitar today. Radical innovations, social revolution, and the baroque guitar / Craig H. Russell -- Perspectives on the classical guitar in the twentieth century / David Tanenbaum -- Antonio Stradivari and baroque guitar making / Stewart Pollens. 330 $aFrom the first mention in courtly poetry of the thirteenth century to enormous global popularity in the twentieth, the guitar and its development comprises multiple histories, each characterised by distinct styles, playing techniques, repertories and socio-cultural roles. These histories simultaneously span popular and classical styles, contemporary and historical practices, written and unwritten traditions and western and non-western cultures. This is the first book to encompass the breadth and depth of guitar performance, featuring thirteen essays covering different traditions, styles, and instruments, written by some of the most influential players, teachers, and guitar historians in the world. The coverage of the book allows the player to understand both the analogies and differences between guitar traditions, and all styles, from baroque, classical, country, blues, and rock to flamenco, African, Celtic, and instrument making will share the same platform. As musical training is increasingly broadened this comprehensive book will become an indispensable resource. 410 0$aCambridge companions to music. 606 $aGuitar 606 $aGuitar$xPerformance 615 0$aGuitar. 615 0$aGuitar$xPerformance. 676 $a787.87 702 $aCoelho$b Victor 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996210324003316 996 $aThe Cambridge companion to the guitar$92576158 997 $aUNISA 999 $aThis Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress