LEADER 01201nam a2200301 i 4500 001 991001855719707536 005 20020507152753.0 008 001120s1997 de ||| | spa 020 $a8472484750 035 $ab11573946-39ule_inst 035 $aLE02726331$9ExL 040 $aDip.to Studi Giuridici$bita 082 0 $a342.460662 084 $aC-XIII/B 084 $aC-XIV/D 100 1 $aFernandez Ramos, Severiano$0528686 245 13$aEl derecho de acceso a los documentos administrativos /$cSeveriano Fernández Ramos 260 $aMadrid :$bPons,$c1997 300 $a629 p. ;$c24 cm. 490 0 $aMonografias juridicas 907 $a.b11573946$b01-03-17$c02-07-02 912 $a991001855719707536 945 $aLE027 C-XIV/D 129$g1$iLE027-3405$lle027$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11779299$z02-07-02 945 $aLE027 C-XIII/B 51$g2$iLE027-3495$lle027$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11779305$z02-07-02 945 $aLE027 342 FER02.01$g1$iLE027-8637$lle027$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11779317$z02-07-02 996 $aDerecho de acceso a los documentos administrativos$9895860 997 $aUNISALENTO 998 $ale027$b01-01-00$cm$da $e-$fspa$gde $h3$i3 LEADER 03275nam 22006495 450 001 9910349539903321 005 20250609111804.0 010 $a9783030318895 010 $a3030318893 024 7 $a10.1007/978-3-030-31889-5 035 $a(CKB)4100000009606176 035 $a(MiAaPQ)EBC5963193 035 $a(DE-He213)978-3-030-31889-5 035 $a(Perlego)3491965 035 $a(MiAaPQ)EBC5963156 035 $a(EXLCZ)994100000009606176 100 $a20191018d2019 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHeidegger and Future Presencing (The Black Pages) /$fby Spencer Golub 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (261 pages) 300 $aIncludes index. 311 08$a9783030318888 311 08$a3030318885 327 $a1.Page (Rectangle) -- 2.Book (Decomposition) -- 3. Clock (Time's Pre-Sequels) -- 4. Horse (Why Is There Something Else Rather Than Something?) -- 5. Human (Being). 330 $a"Golub's novel interpretative approach introduces philosophical thinking to the fields of literature, film, and the performative arts, and by that deepens and enriches the theoretical discussion taking place within these fields." -Dror Pimentel, Senior Lecturer, Bezalel Academy of Art and Design Jerusalem, Israel This book applies Heidegger's writings to experimental fictions and film genres in order to study a being-there that performs itself beyond liveness and a future that is already here. Theatrical mise-en-scène is analyzed as a way of modeling the Heideggerian ontological-existential, exchanging a deeper presencing for the fictional "now" of liveness. The book is organized around ostensible objects that are in fact things-as-such and performs its theme via time-traveling, interruptions, decompositions, incompleteness, failure, geometric patterning, and above all black pages first cited in Tristram Shandy. This is a nuanced, original work that combines unexpected sources with even more unexpected writing, imagery, and correspondences. It is part of Golub's ongoing project of lyrically reimagining philosophy and the mise-en-scène of theatrical performance (a presence-room of consciousness) in light of one another. 606 $aPhilosophy of mind 606 $aSelf 606 $aExperimental films 606 $aPerforming arts 606 $aTheater 606 $aPhilosophy of the Self 606 $aExperimental Film 606 $aTheatre and Performance Arts 615 0$aPhilosophy of mind. 615 0$aSelf. 615 0$aExperimental films. 615 0$aPerforming arts. 615 0$aTheater. 615 14$aPhilosophy of the Self. 615 24$aExperimental Film. 615 24$aTheatre and Performance Arts. 676 $a193 676 $a792.01 700 $aGolub$b Spencer$4aut$4http://id.loc.gov/vocabulary/relators/aut$0974394 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910349539903321 996 $aHeidegger and Future Presencing (The Black Pages)$92218340 997 $aUNINA