LEADER 01028nam a2200277 i 4500 001 991001829249707536 008 121001s2012 de b 000 0 ita d 020 $a9783110283945 035 $ab14077346-39ule_inst 040 $aDip.to Studi Umanistici$bita 041 1 $aita$alat$hlat 100 1 $aIuvenalis, Decimus Iunius$0439340 245 10$aGiovenale, "Satira" IV /$cintroduzione, traduzione e commento di Biagio Santorelli 246 3 $aSatira IV 260 $aBerlin ;$aBoston :$bW. De Gruyter,$cc2012 300 $a209 p. ;$c24 cm 440 0$aTexte und Kommentare ;$v40 504 $aBibliografia: p. 164-186. Indici 546 $aTesto latino a fronte 700 1 $aSantorelli, Biagio 907 $a.b14077346$b23-01-13$c01-10-12 912 $a991001829249707536 945 $aLE007 870.1 Iuvenalis 2012-03$g1$i2007000236604$lle007$op$pE63.96$q-$rl$s- $t0$u5$v0$w5$x0$y.i15475955$z23-01-13 996 $aGiovenale, "Satira" IV$9240789 997 $aUNISALENTO 998 $ale007$b01-10-12$cm$da $e-$fita$gde $h0$i0 LEADER 03989nam 22005535 450 001 9910869157803321 005 20250808083613.0 010 $a3-031-53264-3 024 7 $a10.1007/978-3-031-53264-1 035 $a(MiAaPQ)EBC31505980 035 $a(Au-PeEL)EBL31505980 035 $a(CKB)32575377800041 035 $a(DE-He213)978-3-031-53264-1 035 $a(EXLCZ)9932575377800041 100 $a20240627d2024 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe "Lives" and Writings of Edith Rickert (1871-1938) $eNovelist, Cryptologist, and World-Class Chaucerian /$fby Christina von Nolcken 205 $a1st ed. 2024. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2024. 215 $a1 online resource (357 pages) 311 08$a3-031-53263-5 320 $aIncludes bibliographical references and index. 327 $aIntroduction: "Foundations" -- PART I: First Things, 1871-1900 -- 1. With the Family -- 2. Vassar College, 1887-1891 -- 3. "A New Place" -- 4. "The Wide, Wide World," 1896-1897 -- 5. Vassar Again, 1897-1900 -- PART II: With Kate, 1900-1909 -- 6. "Happy Beyond the Telling" -- 7. Shetland -- 8. "In the Depths".-9. Tibbles -- 10. "It Ought to Be Enough" -- 11. Into the Sunshine -- 12. Return to the States -- 13. Boston, 1909-1910 -- PART III: With Manly, 1910-1938 -- 14. Re-enter John Matthews Manly -- 15. Chicago, 1911-1917 -- 16. Washington DC, 1917-1918 -- 17. After the War, 1919-1924 -- 18. Associate Professor, 1924-1930 -- 19. Later Fiction -- 20. Professor -- 21. Last Things. . 330 $aThis biography represents a nuanced account of Edith Rickert?s life?and inner life. It follows Rickert?s own writing and draws attention to her life as a writer. Rickert has been long remembered as a medievalist, but she also contributed to American scholarship, pedagogy, and codicology. Born into a family of very modest means in Canal Dover, Ohio, she numbered among the University of Chicago?s earliest doctoral students (1895-1899) and was among the first eight women to reach the top of that University's professorial ladder. She prepared what remains the definitive edition of the medieval romance Emaré. She documented aspects of the medieval, as well as Chaucer?s life, with a historian?s accuracy and a novelist?s insight. In the Ladies Home Journal she wrote on women's issues that remain pressing today. With University of Chicago professor John Matthews Manly (1865-1940), she prepared numerous readers and textbooks, including several that helped put contemporary British and American literature on the academic map. Again in collaboration with Manly, she was responsible for what has been described as ?perhaps the most important of the MI-8 solutions? during World War I,as well as the eight-volume edition of Chaucer's Canterbury Tales (1940). Rickert also published short stories, novels, poems, and essays. As this biography shows, Rickert's achievement as a writer was equal to her work as a literary critic. Christina von Nolcken is Associate Professor Emerita at the University of Chicago, USA. 606 $aLiterature$xHistory and criticism 606 $aLiterature, Medieval 606 $aEducation in literature 606 $aLiterary Criticism 606 $aMedieval Literature 606 $aLiterature and Pedagogy 615 0$aLiterature$xHistory and criticism. 615 0$aLiterature, Medieval. 615 0$aEducation in literature. 615 14$aLiterary Criticism. 615 24$aMedieval Literature. 615 24$aLiterature and Pedagogy. 676 $a809.89287 700 $aNolcken$b Christina von$01771044 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910869157803321 996 $aThe "Lives" and Writings of Edith Rickert (1871-1938)$94255390 997 $aUNINA LEADER 04048nam 22004575 450 001 9910634070803321 005 20240719223728.0 010 $a9780520962590 024 7 $a10.1515/9780520962590 035 $a(CKB)25646681700041 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/37903 035 $a(DE-B1597)539728 035 $a(OCoLC)945783630 035 $a(DE-B1597)9780520962590 035 $a(ScCtBLL)da1a5589-e08b-45a6-9416-272994a6b384 035 $a(EXLCZ)9925646681700041 100 $a20230808d2005 uy 0 101 0 $aeng 135 $aurmn#||||n||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Art of Fugue $eBach Fugues for Keyboard, 1715-1750 /$fJoseph Kerman 210 1$aBerkeley, CA :$cUniversity of California Press,$d[2005] 210 4$d©2005 215 $a1 online resource (192 p.) 320 $aIncludes bibliographical references (pages 167-170) and index. 327 $tFrontmatter --$tContents --$tList of Recordings and Scores --$tPreface --$tAcknowledgments --$t1. Fugue in C Major: The Well-Tempered Clavier, book 1 --$t2. Fugue in C Minor: The Well-Tempered Clavier, book 1 --$t3. Fughetta in C Major, BWV 952 --$t4. Fugue in C-sharp Minor: The Well-Tempered Clavier, book 1 --$t5. Contrapunctus 1: The Art of Fugue --$t6. Contrapunctus 10: The Art of Fugue --$t7. Chromatic Fantasy and Fugue, BWV 903 --$t8. Prelude and Fugue in E-flat Major: The Well-Tempered Clavier, book 1 --$t9. Fugue in E Major: The Well-Tempered Clavier, book 2 --$t10. Fugue on "Jesus Christus unser Heiland": Clavierübung, book 3 --$t11. Fugue in F-sharp Minor: The Well-Tempered Clavier, book 1 --$t12. Gigue: English Suite no. 3 in G Minor --$t13. Fugue in A-flat Major: The Well-Tempered Clavier, book 1 --$t14. Fugue in A Minor: Fantasy and Fugue in A Minor, BWV 904 --$t15. Fugue in B-flat Major: The Well-Tempered Clavier, book 2 --$t16. Fugue in B Major: The Well-Tempered Clavier, book 2 --$tAfterword --$tNotes --$tNotes to the Recordings --$tGlossary --$tBibliography --$tIndex 330 $aA free ebook version of this title is available through Luminos, University of California Press's new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues-some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by performances made specially for this volume: Karen Rosenak, piano, playing two preludes and fugues fromTheWell-Tempered Clavier-C Major, book 1; and B Major, book 2--and Davitt Moroney playing the Fughetta in C Major, BWV 952, on clavichord; the Fugue on ";Jesus Christus unser Heiland,"; BWV 689, on organ; and the Fantasy and Fugue in A Minor, BWV 904, on harpsichord. 606 $aFugue 606 $aMusic$2bicssc 615 0$aFugue. 615 7$aMusic 676 $a786/.1872/092 700 $aKerman$b Joseph$f1924-2014,$0481940 712 02$aProject Muse. 801 0$bDE-B1597 801 1$bDE-B1597 912 $a9910634070803321 996 $aThe Art of Fugue$92155605 997 $aUNINA