LEADER 01140nam a2200265 i 4500 001 991001819729707536 005 20020503153933.0 008 001103s1968 it ||| | ita 035 $ab10277432-39ule_inst 035 $aEXGIL92024$9ExL 040 $aBiblioteca Interfacoltà$bita 082 0 $a195 100 1 $aPapi, Fulvio$053386 245 10$aAntropologia e civiltà nel pensiero di Giordano Bruno /$cFulvio Papi 260 $aFirenze :$bLa nuova Italia,$c1968 300 $aXII, 362 p. ;$c24 cm. 490 0 $aPubblicazioni della Facoltà di lettere e filosofia dell'Università di Milano ;$v46 490 0 $aPubblicazioni della Facoltà di lettere e filosofia dell'Università di Milano. Sezione a cura dell'Istituto di storia della filosofia ;$v12 650 4$aBruno, Giordano 907 $a.b10277432$b17-02-17$c27-06-02 912 $a991001819729707536 945 $aLE002 Fil. 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Masten 210 1$aPhiladelphia :$cUniversity of Pennsylvania Press,$d[2008] 210 4$d©2008 215 $a1 online resource (328 p.) 225 1 $aThe arts and intellectual life in modern America 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-322-51344-9 311 $a0-8122-4071-5 320 $aIncludes bibliographical references (pages [259]-305) and index. 327 $aIntroduction : "American Louvre" -- Democratic proclivities -- "The unity of art" -- "Art fever" -- "Harrahed for the Union" -- "Laborers in the field of the beautiful" -- "An easier and surer path" -- "A combination of adverse circumstances". 330 $a"I was in high spirits all through my unwise teens, considerably puffed up, after my drawings began to sell, with that pride of independence which was a new thing to daughters of that period."-The Reminiscences of Mary Hallock FooteMary Hallock made what seems like an audacious move for a nineteenth-century young woman. She became an artist. She was not alone. Forced to become self-supporting by financial panics and civil war, thousands of young women moved to New York City between 1850 and 1880 to pursue careers as professional artists. Many of them trained with masters at the Cooper Union School of Design for Women, where they were imbued with the Unity of Art ideal, an aesthetic ideology that made no distinction between fine and applied arts or male and female abilities. These women became painters, designers, illustrators, engravers, colorists, and art teachers. They were encouraged by some of the era's best-known figures, among them Tribune editor Horace Greeley and mechanic/philanthropist Peter Cooper, who blamed the poverty and dependence of both women and workers on the separation of mental and manual labor in industrial society. The most acclaimed artists among them owed their success to New York's conspicuously egalitarian art institutions and the rise of the illustrated press. Yet within a generation their names, accomplishments, and the aesthetic ideal that guided them virtually disappeared from the history of American art.Art Work: Women Artists and Democracy in Mid-Nineteenth-Century New York recaptures the unfamiliar cultural landscape in which spirited young women, daring social reformers, and radical artisans succeeded in reuniting art and industry. In this interdisciplinary study, April F. Masten situates the aspirations and experience of these forgotten women artists, and the value of art work itself, at the heart of the capitalist transformation of American society. 410 0$aArts and intellectual life in modern America. 606 $aWomen artists$zNew York (State)$zNew York$xSocial conditions 606 $aWomen artists$zNew York (State)$zNew York$xEconomic conditions 606 $aArt and society$zNew York (State)$zNew York$xHistory$y19th century 610 $aAmerican History. 610 $aAmerican Studies. 610 $aGender Studies. 610 $aWomen's Studies. 615 0$aWomen artists$xSocial conditions. 615 0$aWomen artists$xEconomic conditions. 615 0$aArt and society$xHistory 676 $a704/.04209747109034 700 $aMasten$b April F.$01679876 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910812706103321 996 $aArt work$94048454 997 $aUNINA