LEADER 00915nam a2200265 i 4500 001 991001564209707536 005 20020503123019.0 008 981020s1989 sp ||| | spa 020 $a8426423604 035 $ab10238918-39ule_inst 035 $aLE01280205$9ExL 040 $aDip.to Lingue$bita 100 1 $aVilanova, Antonio$0329864 245 10$aErasmo y Cervantes /$cAntonio Vilanova 250 $a1. ed. 260 $aBarcelona :$bLumen,$cc1989 300 $a575 p. ;$c19 cm. 490 0 $aPalabra critica ;$v8 600 14$aCervantes Saavedra, Miguel :$cde$xOpere$xInflussi erasmiani$xSaggi 907 $a.b10238918$b17-02-17$c27-06-02 912 $a991001564209707536 945 $aLE012 868 3 CER VIL$g1$i2012000003170$lle012$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10289082$z27-06-02 996 $aErasmo y Cervantes$999792 997 $aUNISALENTO 998 $ale012$b01-01-98$cm$da $e-$fspa$gsp $h0$i1 LEADER 03322nam 2200649Ia 450 001 9910788387803321 005 20200520144314.0 010 $a1-280-59634-1 010 $a9786613626172 010 $a0-253-00549-3 035 $a(CKB)3170000000046315 035 $a(EBL)670304 035 $a(OCoLC)794700776 035 $a(SSID)ssj0000600886 035 $a(PQKBManifestationID)11393420 035 $a(PQKBTitleCode)TC0000600886 035 $a(PQKBWorkID)10600485 035 $a(PQKB)10392441 035 $a(MiAaPQ)EBC670304 035 $a(OCoLC)813007990 035 $a(MdBmJHUP)muse18554 035 $a(Au-PeEL)EBL670304 035 $a(CaPaEBR)ebr10565329 035 $a(CaONFJC)MIL362617 035 $a(PPN)196290449 035 $a(EXLCZ)993170000000046315 100 $a20110607d2012 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aMusical forces$b[electronic resource] $emotion, metaphor, and meaning in music /$fSteve Larson ; foreword by Robert S. Hatten 210 $aBloomington $cIndiana University Press$dc2012 215 $a1 online resource (392 p.) 225 1 $aMusical meaning & interpretation 300 $aDescription based upon print version of record. 311 $a0-253-35682-2 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- A theory of musical forces. Thinking about music and thinking in music : pattern, meaning, analogy, metaphor and hierarchies ; Something in the way she moves : the metaphor of musical motion ; Melodic forces : gravity, magnetism, and inertia ; A theory of melodic expectation ; Rhythm, meter, and musical forces ; Analyses -- Evidence for musical forces. Converging evidence : an introduction to part 2 ; Evidence from experiments in visual perception and neuroscience ; Evidence from compositions and improvisations ; Evidence from music-theoretical misunderstandings ; Evidence from a listener-judgment experiment ; Evidence from comparing computer models with production-experiment results -- Conclusion. Summary and prospects. 330 $aSteve Larson drew on his 20 years of research in music theory, cognitive linguistics, experimental psychology, and artificial intelligence-as well as his skill as a jazz pianist-to show how the experience of physical motion can shape one's musical experience. Clarifying the roles of analogy, metaphor, grouping, pattern, hierarchy, and emergence in the explanation of musical meaning, Larson explained how listeners hear tonal music through the analogues of physical gravity, magnetism, and inertia. His theory of melodic expectation goes beyond prior theories in predicting complete melodic patt 410 0$aMusical meaning and interpretation. 606 $aMusic$xPhysiological aspects 606 $aMusic$xPhysiological effect 606 $aMusic$xPsychological aspects 615 0$aMusic$xPhysiological aspects. 615 0$aMusic$xPhysiological effect. 615 0$aMusic$xPsychological aspects. 676 $a781/.1 700 $aLarson$b Steve$f1955-2011.$0791000 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788387803321 996 $aMusical forces$93839590 997 $aUNINA