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181   $ctxt
182   $cc
183   $acr
200 10$aSpectrality in the novels of Toni Morrison /$fMelanie R. Anderson
210   $aKnoxville $cUniversity of Tennessee Press$dc2013
215   $a1 online resource (184 pages)
300   $aDescription based upon print version of record.
311 1 $a1-57233-858-X 
320   $aIncludes bibliographical references and index.
327   $aIntroduction: "What does it mean to follow a ghost" in Toni Morrison's fiction? -- Spectral beginnings in The bluest eye and Sula -- "Why not ghosts as well?" the presence of the spectral in song of solomon and tar baby -- "What would be on the other side?" history as a spectral bridge in Beloved and Paradise -- "The specter as possibility": ghostly narrators in Jazz and Love -- "Slave. Free. I last": spectral returns in A mercy.
330 8 $aAt first glance, Beloved would appear to be the only "ghost story" among Toni Morrison's nine novels, but as this provocative new study shows, spectral presences and places abound in the celebrated author's fiction. Melanie R. Anderson explores how Morrison uses specters to bring the traumas of African American life to the forefront, highlighting histories and experiences, both cultural and personal, that society at large too frequently ignores.     Working against the background of magical realism, while simultaneously expanding notions of the supernatural within American
606   $aGhosts in literature
606   $aFuture life in literature
615  0$aGhosts in literature.
615  0$aFuture life in literature.
676   $a813/.54
700   $aAnderson$b Melanie$01548086
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910779592403321
996   $aSpectrality in the novels of Toni Morrison$93804892
997   $aUNINA