LEADER 00984nam a2200241 i 4500 001 991000872359707536 005 20020507102606.0 008 930517s1989 it m ||| | ita d 035 $ab10141534-39ule_inst 035 $aLE00638341$9ExL 040 $aDip.to Fisica$bita 100 1 $aAntonazzo, Antonio$0461512 245 10$aCorrelazioni di pairing nei nuclei semi-magici /$claureando Antonio Antonazzo ; relatori Stefano Fantoni e Giampaolo Cò 260 $aLecce :$bUniversità degli Studi. Facoltà di Scienze. Corso di Laurea in Fisica,$ca.a. 1989-90 300 $a63 p. :$bill. ;$c30 cm 700 1 $aFantoni, Stefano 700 1 $aCò, Giampaolo 907 $a.b10141534$b09-12-14$c27-06-02 912 $a991000872359707536 945 $aLE006 T480$g1$iLE006-T480$lle006$o-$pE0.00$q-$rn$so $t0$u0$v0$w0$x0$y.i10167973$z27-06-02 996 $aCorrelazioni di pairing nei nuclei semi-magici$9187007 997 $aUNISALENTO 998 $ale006$b01-01-93$cm$da $e-$fita$git $h0$i1 LEADER 00911nam a2200241 i 4500 001 991001559849707536 005 20020503122952.0 008 990324s1937 uk ||| | eng 035 $ab10238335-39ule_inst 035 $aLE01280137$9ExL 040 $aDip.to Lingue$bita 100 1 $aSmith, George Gregory$0465065 245 10$aElizabethan critical essays /$cedited with an introduction by G. Gregory Smith 260 $aOxford :$bOxford University Press,$c1937,1950,1959 300 $a509 p. ;$c19 cm. 650 4$aCritica 650 4$aPoesia inglese$ySec.16-17$xStoria e critica 907 $a.b10238335$b21-09-06$c27-06-02 912 $a991001559849707536 945 $aLE012 821.309 SMI$cV. 2$g1$i2012000008380$lle012$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10288478$z27-06-02 996 $aElizabethan critical essays$9206190 997 $aUNISALENTO 998 $ale012$b01-01-99$cm$da $e-$feng$guk $h0$i1 LEADER 03673nam 2200613 a 450 001 9910786107403321 005 20230922181025.0 010 $a94-012-0904-9 024 7 $a10.1163/9789401209045 035 $a(CKB)2670000000343079 035 $a(EBL)1152993 035 $a(OCoLC)831118689 035 $a(SSID)ssj0001107707 035 $a(PQKBManifestationID)11623157 035 $a(PQKBTitleCode)TC0001107707 035 $a(PQKBWorkID)11082611 035 $a(PQKB)11757854 035 $a(MiAaPQ)EBC1152993 035 $a(OCoLC)828198335 035 $a(nllekb)BRILL9789401209045 035 $a(Au-PeEL)EBL1152993 035 $a(CaPaEBR)ebr10674313 035 $a(CaONFJC)MIL655762 035 $a(EXLCZ)992670000000343079 100 $a20130328d2013 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aArt and identity $eessays on the aesthetic creation of mind /$fedited by Tone Roald and Johannes Lang 210 $aAmsterdam ;$aNew York $cRodopi$d2013 215 $a1 online resource (219 pages) 225 1 $aConsciousness, literature & the arts,$x1573-2193 ;$v32 311 0 $a1-322-24482-0 311 0 $a90-420-3634-6 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material --$tIntroduction /$rTone Roald and Johannes Lang --$tIdentity, Bodily Meaning, and Art /$rMark Johnson --$tActs Not Tracts! Why a Complete Psychology of Art and Identity Must Be Neuro-cultural /$rCiarán Benson --$tI Am, Therefore I Think, Act, and Express both in Life and in Art /$rGerald C. Cupchik --$tSense, Modality, and Aesthetic Experience /$rSimo Køppe --$tReading Proust: The Little Shock Effects of Art /$rJudy Gammelgaard --$tBecoming Worthy of What Happens to Us: Art and Subjectivity in the Philosophy of Gilles Deleuze /$rKasper Levin --$tArt and Personal Integrity /$rBjarne Sode Funch --$tSteady Admiration in an Expanding Present: On Our New Relationship to Classics /$rHans Ulrich Gumbrecht --$tList of Contributors --$tIndex --$tAcknowledgments. 330 $aArt has the capacity to shape and alter our identities. It can influence who and what we are. Those who have had aesthetic experiences know this intimately, and yet the study of art?s impact on the mind struggles to be recognized as a centrally important field within the discipline of psychology. The main thesis of Art and Identity is that aesthetic experience represents a prototype for meaningful experience, warranting intense philosophical and psychological investigation. Currently psychology remains too closed-off from the rich reflection of philosophical aesthetics, while philosophy continues to be sceptical of the psychological reduction of art to its potential for subjective experience. At the same time, philosophical aesthetics cannot escape making certain assumptions about the psyche and benefits from entering into a dialogue with psychology. Art and Identity brings together philosophical and psychological perspectives on aesthetics in order to explore how art creates minds. 410 0$aConsciousness, literature & the arts ;$v32. 606 $aCreation (Literary, artistic, etc.) 606 $aIdentity (Psychology) in art 615 0$aCreation (Literary, artistic, etc.) 615 0$aIdentity (Psychology) in art. 676 $a701 701 $aRoald$b Tone$0615883 701 $aLang$b Johannes$01500951 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786107403321 996 $aArt and identity$93727860 997 $aUNINA