LEADER 01031nam a22002771i 4500 001 991001543779707536 005 20031120131621.0 008 040407s1951 it a||||||||||||||||ita 035 $ab12786317-39ule_inst 035 $aARCHE-076594$9ExL 040 $aDip.to Scienze Storiche$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a759.5 100 1 $aMazzariol, Giuseppe$010555 245 10$aItinerario tiepolesco /$cG. Mazzariol, T. Pignatti 260 $aVenezia :$bLombroso,$cstampa 1951 300 $a189 p. :$bill. ;$c18 cm 600 14$aTiepolo, Giambattista 650 4$aPittura$zVenezia$ySec. 17.-18. 650 4$aBarocco (Arte)$zVenezia 700 1 $aPignatti, Terisio 907 $a.b12786317$b02-04-14$c16-04-04 912 $a991001543779707536 945 $aLE009 LA MON T 14 (Fondo Bottari)$g1$iLE009A-1664 LA$lle009$o-$pE0.00$q-$rn$so $t0$u0$v0$w0$x0$y.i13330895$z16-04-04 996 $aItinerario tiepolesco$9292689 997 $aUNISALENTO 998 $ale009$b16-04-04$cm$da $e-$fita$git $h0$i1 LEADER 04081nam 2200457 450 001 9910824170703321 005 20231110215626.0 010 $a1-78969-245-8 035 $a(CKB)4100000012027326 035 $a(MiAaPQ)EBC6728898 035 $a(Au-PeEL)EBL6728898 035 $a(EXLCZ)994100000012027326 100 $a20220601d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aA painted ridge $erock art and performance in the Maclear District, Eastern Cape Province, South Africa /$fDavid Mendel Witelson 210 1$aOxford, England :$cArchaeopress Publishing Limited,$d[2019] 210 4$d©2019 215 $a1 online resource (164 pages) 225 1 $aCambridge Monographs in African Archaeology ;$vv.98 320 $aIncludes bibliographical references. 327 $aIntro -- ABSTRACT -- ACKNOWLEDGEMENTS -- CONTENTS -- LIST OF FIGURES -- PREFACE -- CHAPTER 1: A PAINTED RIDGE -- The problem with 'sites' -- An overview of previous Maclear District rock art research -- Ethnographic analogy and San performance -- Documenting the MR sites -- Recording MR rock art -- Digital enhancements -- Enhancing the MEL ridge -- From observations to theory -- CHAPTER 2: PERFORMANCE THEORY -- Performance Studies and South African rock art research -- Performance Studies -- Performance -- Ritual -- Performativity -- The ethnography of performance -- A Kaluli séance -- San expressive culture and performances -- From theory to ethnography -- CHAPTER 3: DANCING AND PAINTING-A PERFORMATIVE DYAD? -- Trancing with friends, dancing with death -- Interactions during a trance dance -- The dancers and the women who clap and sing -- Dancers, participants, and the dance fire -- N|om seekers and masters -- Masters and other masters -- Dancers and spirits-of-the-dead -- Special curing ceremonies -- From dancing to painting -- CHAPTER 4: BEHIND THE SCENES -- The process behind image-making -- The four stages -- Acquisition of imagery -- Manufacture of paint -- Making rock paintings -- Using rock paintings -- From ritual process to interactive images -- CHAPTER 5: PAINTED AND IMPLIED INTERACTIONS -- Interactions between image-makers and the rock face -- Depressions and containment -- Cracks, steps and edges -- Idiosyncratic uses of the rock face -- From simple interaction to complex interactions -- Interactions between image-makers and images on the rock face -- Interactions between image-makers and animals -- Interactions between image-makers and spirits-of-the-dead -- Interactions between the viewers and the images -- Summary -- CHAPTER 6: SHELTERED PERFORMANCES -- The criteria for image-making performances -- Who actually made the images?. 327 $aThe ritual of image-making performances -- Reality, non-reality and the social construction of reality -- Image-makers and failure -- Summary -- CHAPTER 7: COMING TO TERMS WITH DIFFERENCES AND SIMILARITIES -- Limitations -- Insights from performance theory and future directions -- APPENDICES -- APPENDIX A: SITE MEASUREMENTS -- APPENDIX B: SCHEMATIC DIAGRAMS -- APPENDIX C: IMAGE COUNTS -- APPENDIX D: DIGITAL ENHANCEMENT PROCEDURES -- PROCEDURE 1 -- PROCEDURE 2 -- References. 330 $aThis book explores a suite of spatially close San (Bushmen) rock painting sites in the Maclear District of South Africa's Eastern Cape Province. As a suite, the sites are remarkable because, despite their proximity to each other, they share patterns of similarity and simultaneous difference. 410 0$aCambridge Monographs in African Archaeology 606 $aRock paintings$zSouth Africa$zMaclear 606 $aSan (African people)$xAntiquities 615 0$aRock paintings 615 0$aSan (African people)$xAntiquities. 676 $a709.01130968757 700 $aWitelson$b David Mendel$01668929 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910824170703321 996 $aA painted ridge$94029883 997 $aUNINA