LEADER 00812nam a2200229 i 4500 001 991001458649707536 008 111103e2008 fr 000 0 fre 020 $a9782012358485 035 $ab14017817-39ule_inst 040 $aDip.to Studi Storici$bita 082 04$a892.436 100 1 $aSebban, Michael$0471813 245 13$aLe cadenas du marché Yéhouda /$cMichael Sebban 260 $a[Paris] :$bHachette Littérature, $c[2008] 300 $a213 p. ;$c20 cm 440 3$aLa fouine 907 $a.b14017817$b02-04-14$c03-11-11 912 $a991001458649707536 945 $aLE023 892.436 SEB 1 1 $g1$i2023000130681$lle023$o-$pE28.80$q-$rl$s- $t0$u0$v0$w0$x0$y.i15340971$z03-11-11 996 $aCadenas du marché Yéhouda$9242632 997 $aUNISALENTO 998 $ale023$b03-11-11$cm$da $e-$ffre$gfr $h3$i0 LEADER 03680nam 22005173u 450 001 9910785769703321 005 20230801224424.0 010 $a0-231-85001-8 035 $a(CKB)2670000000241126 035 $a(EBL)909421 035 $a(OCoLC)818856746 035 $a(MiAaPQ)EBC909421 035 $a(EXLCZ)992670000000241126 100 $a20130617d2012|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 200 10$aMillennial Cinema$b[electronic resource] $eMemory in Global Film 210 $aNew York $cColumbia University Press$d2012 215 $a1 online resource (266 p.) 300 $aDescription based upon print version of record. 311 $a0-231-16193-X 327 $aCONTENTS; ACKNOWLEDGEMENTS ix; NOTES ON CONTRIBUTORS xi; INTRODUCTION MILLENNIAL CINEMA: MEMORY IN GLOBAL FILM, Amresh Sinha and Terence McSweeney 1; VIRTUAL AND PROSTHETIC MEMORY; 1. TIME, MEMORY AND MOVEMENT IN GASPAR NOE?'S IRREVERSIBLE, Paul Atkinson 17; 2. RECONSTRUCTING THE PAST: VISUAL VIRTUALITY IN ETERNAL SUNSHINE OF THE SPOTLESS MIND, Steven Rawle 37; 3. DEATH EVERY SUNDAY AFTERNOON: THE VIRTUAL REALITIES OF HIROKAZU KORE-EDA'S AFTERLIFE, Alanna Thain 55 327 $a4. 'PROSTHETIC MEMORY' AND TRANSNATIONAL CINEMA: GLOBALISED IDENTITY AND NARRATIVE RECURSIVITY IN CITY OF GOD, Russell J. A. Kilbourn 71TRAUMATIC AND ALLEGORICAL MEMORY; 5. IMPOSSIBLE MEMORY: TRAUMATIC NARRATIVES IN MEMENTO AND MULHOLLAND DRIVE, Belinda Morrissey 97; 6. MEMORIES OF A CATASTROPHE: TRAUMA AND THE NAME IN MIRA NAIR'S THE NAMESAKE, Amresh Sinha 117; 7. THE FUTURE AT ODDS WITH THE PAST: JOURNEY THROUGH THE RUINS OF MEMORY IN ALKINOS TSILIMODOS'S TOM WHITE, Warwick Mules 139; 8. FILMING THE PAST, PRESENT AND FUTURE OF AN AFRICAN VILLAGE: OUSMANE SEMBENE'S MOOLAADE?, David Murphy 156 327 $aHISTORICAL AND CULTURAL MEMORY9. 'THE UNQUIET DEAD': MEMORIES OF THE SPANISH CIVIL WAR IN GUILLERMO DEL TORO'S CINEMA, Jonathan Ellis and Ana Mari?a Sa?nchez-Arce 173; 10. REWIND: THE WILL TO REMEMBER, THE WILL TO FORGET IN MICHAEL HANEKE'S CACHE? (2005), Jehanne-Marie Gavarini 192; 11. MEMORY, NOSTALGIA AND THE FEMININE: IN THE MOOD FOR LOVE AND THOSE QIPAOS, Lynda Chapple 209; 12. MEMORY AS CULTURAL BATTLEGROUND IN PARK CHAN-WOOK'S OLDBOY, Terence McSweeney 222; INDEX 239 330 $aIn spite of the overwhelming interest in the study of memory and trauma, no single volume has yet explored the centrality of memory to films of this era in a global context; this volume is the first anthology devoted exclusively to the study of memory in twenty-first century cinema. Combining individual readings and interdisciplinary methodologies, this book offers new analyses of memory and trauma in some of the most discussed and debated films of the new millennium: Pan's Labyrinth (2006), The Namesake (2006), Hidden (2005), Eternal Sunshine of the Spotless Mind (2004), Oldboy (2003), C 606 $aMemory in motion pictures 606 $aMemory in motion pictures 606 $aMotion pictures - History - 21st century 606 $aMotion pictures -- History -- 21st century 606 $aMotion pictures 615 4$aMemory in motion pictures. 615 4$aMemory in motion pictures. 615 4$aMotion pictures - History - 21st century. 615 4$aMotion pictures -- History -- 21st century. 615 4$aMotion pictures. 676 $a791 676 $a791.4301 700 $aSinha$b Amresh$01538391 701 $aMcSweeney$b Terence$f1974-$01538392 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910785769703321 996 $aMillennial Cinema$93788394 997 $aUNINA