LEADER 01711nam a2200313 i 4500 001 991001371479707536 008 090911s2005 vc fh b 001 0 ita d 020 $a9788885054141 035 $ab14003971-39ule_inst 040 $aDip. Beni Arti e Storia$bita 100 1 $aFrenz, Thomas.$0475609 245 12$aL'introduzione della scrittura umanistica nei documenti e negli atti della Curia pontificia del secolo XV /$cThomas Frenz ; con un saggio di Peter Herde ; edizione italiana a cura di Marco Maiorino. 260 $aCittà del Vaticano :$bScuola Vaticana di Paleografia, Diplomatica e Archivistica,$c2005. 300 $axlvii, 297 p., XXIV di tav. :$bfacs. ;$c24 cm. 440 0$aLittera antiqua ;$v12. 440 0$aSubsidia studiorum ;$v4. 500 $aTit. orig.: Eindringen humanistischer Schriftformen in die Urkunden und Akten der p©Þpstlichen Kurie im 15. Jahrhundert ; Die Schrift der florentiner Beh©?rden in der Fr©?hrenaissance (ca. 1400-1460). 500 $aSaggi gi©¡ pubblicati. 504 $aBibliografia: p. xix-xlvii. 505 2 $aLa $tScrittura dei pubblici uffici fiorentini nel Primo Rinascimento (ca. 1400-1460) /$rPeter Herde. 650 24$aChiesa cattolica.$bCuria romana$xStoria$ySec. 15. 650 04$aUmanisti$xStoria$ySec. 15. 700 12$aHerde, Peter,$d1933- 907 $a.b14003971$b02-04-14$c09-09-11 912 $a991001371479707536 945 $aLE019 A9 ARC B 51$g1$i2019000067973$lle019$op$pE400.00$q-$rl$s- $t0$u3$v7$w3$x0$y.i15315666$z09-09-11 996 $aIntroduzione della scrittura umanistica nei documenti e negli atti della Curia pontificia del secolo XV$9248030 997 $aUNISALENTO 998 $ale019$b09-09-11$cm$da $e-$fita$gvc $h2$i0 LEADER 03558nam 2200553 450 001 9910815053103321 005 20230808191543.0 010 $a1-4766-2343-0 035 $a(CKB)3710000000585027 035 $a(EBL)4385443 035 $a(SSID)ssj0001601059 035 $a(PQKBManifestationID)16313034 035 $a(PQKBTitleCode)TC0001601059 035 $a(PQKBWorkID)14839547 035 $a(PQKB)10540205 035 $a(MiAaPQ)EBC4385443 035 $a(EXLCZ)993710000000585027 100 $a20160215h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aShakespeare's prop room $ean inventory /$fJohn Leland and Alan Baragona ; foreword by Ralph Alan Cohen 210 1$aJefferson, North Carolina :$cMcFarland & Company, Inc., Publishers,$d2016. 210 4$d©2016 215 $a1 online resource (240 p.) 300 $aDescription based upon print version of record. 311 $a1-4766-6336-X 320 $aIncludes bibliograhical references and index. 327 $aAcknowledgments; Table of Illustrations; Foreword: "Plays and Things"; by Ralph Alan Cohen; Introduction; 1. Bring out your dead: corpses, funerals and skulls; 2. Off with his head: crowns and the heads that wear them; 3. "Exit pursued by a bear" (The Winter's Tale, 3.3.58): Shakespeare's dramatis animalia; 4. "Come, let's away to prison" (Lear, 5.3.8); 5. "There's magic in the web of it" (Othello, 3.4.69): handkerchiefs and napkins; 6. "Come on, then, let's to bed" (Romeo and Juliet, 1.5.125); 7. "The wood began to move" (Macbeth 5.5.34): stage greenery 327 $a8. "Imaginary puissance" (Henry V, Prol. 25): arms and armor9. "Welcome to our table" (As You Like It, 2.7.105): tables and chairs; 10. "The first thing we do, let's kill all the lawyers" (2 Henry VI, 4.2.76): courtrooms and killings; 11. "[O]'er-read these letters / And well consider of them" (2 Henry IV, 3.1.2-3); 12. "This simulation is not as the former" (Twelfth Night, 2.5.138-39): Simulating Places and People on Stage; 13. "What, a hodge-pudding? A bag of flax?" (Merry Wives of Windsor, 5.5.151); Notes; Introduction; 1. Bring out your dead; 2. Off with his head 327 $a3. ""Exit pursued by a bear""4. ""Come, let's away to prison""; 5. ""There's magic in the web of it""; 6. ""Come on, then, let's to bed""; 7. ""The wood began to move""; 8. ""Imaginary puissance""; 9. ""Welcome to our table""; 10. The first thing we do; 11. [O]'er-read these letters""; 12. ""This simulation is not as the former""; 13. ""What, a hodge-pudding?""; Bibliography; List of Names and Terms 330 $a"This study provides the first comprehensive examination of every prop in Shakespeare's plays, whether mentioned in stage directions, indicated in dialogue or implied by the action. The authors delve into numerous historical documents, the business of theater in Renaissance England, and the plays themselves to explain what audiences might have seen"--$cProvided by publisher. 606 $aStage props$zEngland$zLondon$xHistory$y17th century 606 $aTheater$zEngland$zLondon$xHistory$y17th century 615 0$aStage props$xHistory 615 0$aTheater$xHistory 676 $a822.3/3 700 $aLeland$b John$f1950-$01618487 702 $aBaragona$b Alan 702 $aCohen$b Ralph Alan 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910815053103321 996 $aShakespeare's prop room$93977482 997 $aUNINA