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035   $aPRUMB59316$9ExL
040   $aDip. di SSSC - Sociologia$bita
100 1 $aArena, Leonardo Vittorio$0221297
245 10$aNietzsche e il nonsense /$cLeonardo Vittorio Arena
260   $aMilano :$bF. Angeli,$cc1994
300   $a320 p. ;$c22 cm.
490 0 $aFilosofia
650  4$aNietzsche, F.
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996   $aNietzsche e il nonsense$9813330
997   $aUNISALENTO
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100   $a20150501h20152015  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aNext Train's Gone! $eWill Hay : an alternative view of British National identity
210  1$aGosport, [England] :$cChaplin Books,$d2015.
210  4$dİ2015
215   $a1 online resource (29 p.)
225 0 $aShort Takes Film Studies Series ;$vBook 2
300   $aDescription based upon print version of record.
311   $a1-909183-80-6 
320   $aIncludes bibliographical references.
320   $aIncludes filmography.
327   $aCover; Contents; Front Matter; Title Page; Publisher Information; Next Train's Gone!; Will Hay: An Alternative View of British National Identity; Additional Media; Illustrations; Back Matter; Bibliography; Filmography; Also Available
330   $aIn the 1930s, British film producers and critics championed the idea of 'quality' pictures - thoughtful, intelligent films that would project a particular and positive view of Britain. The result was to drive a wedge between 'national' cinema (which reflected middle-class values) and 'popular' cinema (which reflected the working-class values of the majority of cinema audiences). 'Popular' became a term of abuse, particularly directed at comedies, whose roots often lay in music-hall. A very d...
410  0$aShort Takes Film Studies
606   $aMotion pictures$xProduction and direction
606   $aCinematography
615  0$aMotion pictures$xProduction and direction.
615  0$aCinematography.
676   $a791.430232 
700   $aField$b Amanda J. $01593343
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910817057103321
996   $aNext Train's Gone$94126187
997   $aUNINA