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040   $aDip.to Lingue$bita
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082 00$a809.3/8762$221
100 1 $aRoberts, Adam$q(Adam Charles)$0256840
245 10$aScience fiction /$cAdam Roberts.
260   $aLondon ;$aNew York :$bRoutledge,$c2000.
300   $avi, 204 p. ;$c21 cm.
490 1 $aThe new critical idiom
504   $aIncludes bibliographical references (p. [195]-200) and index.
505 0 $a1. Defining science fiction. One definition. Three definitions. The SF novum. Difference. Prediction and nostalgia. Case study: Frank Herbert, Dune (1965) -- 2. The history of science fiction: from beginnings to the 1960s. Origins. Jules Verne and H G Wells. Pulp SF. The Golden Age: Asimov. New wave. Case study: Star Wars (1977) and intertextuality -- 3. Gender. Feminist science fiction. Women and aliens. Case study: Ursula Le Guin, The Left Hand of Darkness (1969) -- 4. Race. Representing race. Race and Star Trek. Alien abduction. Case study: blackness in Sonnenfeld's Men in Black (1997) -- 5. Technology and metaphor. Spaceships. Robots. Cyberspace. Case study: William Gibson, Neuromancer (1984) -- 6. Conclusion.
650  4$aNarrativa scientifica$xStoria e critica
650  4$aFantascienza$xStoria e critica
650  0$aScience fiction$xHistory and criticism.
830  0$aNew critical idiom.
907   $a.b13352878$b09-03-22$c09-11-05
912   $a991001309689707536
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996   $aScience fiction$9947463
997   $aUNISALENTO
998   $ale012$b09-11-05$cm$da  $e-$feng$genk$h0$i0