LEADER 01159nam a2200325 i 4500 001 991001296599707536 005 20020507114025.0 008 940312s1975 de ||| | fre 020 $a3540071563 035 $ab10200861-39ule_inst 035 $aLE00645425$9ExL 040 $aDip.to Fisica$bita 084 $a53(06) 084 $a53.1.67 084 $a53.6.1 084 $a533'.2 084 $aQC175.G37 100 1 $aGatignol, Renée$0346331 245 10$aThéorie cinétique des gaz à répartition discrète de vitesses /$cR. Gatignol 260 $aBerlin :$bSpringer-Verlag,$c1975 300 $aii, 219 p. :$bill. ;$c24 cm. 490 0 $aLecture notes in physics / edited by J. Ehlers...[et al.] ;$v36 500 $aBibliography : p. 217-219. 650 4$aKinetic theory of gases 907 $a.b10200861$b17-02-17$c27-06-02 912 $a991001296599707536 945 $aLE006 53.1.67 GAT$g1$i2006000045070$lle006$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10248432$z27-06-02 996 $aThéorie cinétique des gaz à répartition discrète de vitesses$9190999 997 $aUNISALENTO 998 $ale006$b01-01-94$cm$da $e-$ffre$gde $h0$i1 LEADER 02306oam 22004214a 450 001 9910524677703321 005 20230621140251.0 010 $a0-253-05097-9 035 $a(CKB)5600000000001740 035 $a(OCoLC)1259583981 035 $a(MdBmJHUP)muse92523 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/88302 035 $a(oapen)doab88302 035 $a(EXLCZ)995600000000001740 100 $a20100317d1978 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBlack Film as Genre$fThomas Cripps 210 $cIndiana University Press$d1978 210 1$aBloomington :$cIndiana University Press,$d1978. 210 4$d©1978. 215 $a1 online resource (1 online resource viii, 184 pages) : $cillustrations 330 $aCripps delineates the elements of black film genre in a brilliant essay, and then analyzes six films and their position in the genre. The Scar of Shame, a silent classic, is a social drama which expresses black economic aspiration. The St. Louis Blues uses the black musical idiom to express dramatic conflict, and features Bessie Smith's only film appearance. The Blood of Jesus speaks with primitive conviction to a black religious fundamentalism. The U.S. Army film, The Negro Soldier, is a strong advocate for black social goals, despite the constraints imposed by its sponsor. The critically acclaimed Nothing but a Man celebrates a heroic pastoralism through a visually symbolic narrative. The author's final example is Sweet Sweet - back's Baadasssss Song, the most notorious of the recent "blaxploitation" films. The book concludes with a useful survey of black film criticism and features a bibliography, a filmography, and illustrations from the films. 606 $aAfrican Americans in motion pictures$2fast$3(OCoLC)fst00799733 606 $aAfrican Americans in motion pictures 608 $aElectronic books. 615 0$aAfrican Americans in motion pictures. 615 0$aAfrican Americans in motion pictures. 700 $aCripps$b Thomas$01088364 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910524677703321 996 $aBlack Film as Genre$92605792 997 $aUNINA