LEADER 01162nam 2200373 450 001 9910467262103321 010 $a80-246-4297-2 035 $a(CKB)4100000007927523 035 $a(MiAaPQ)EBC5752262 035 $a(EXLCZ)994100000007927523 100 $a20190517d2019 uy 0 101 0 $acze 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aKapitoly o cestine jako jazyku nematerskem /$fMilan Hrdlicka 210 1$aPrague :$cVydala Univerzita Karlova,$d2019. 215 $a1 online resource (165 pages) 311 $a80-246-4285-9 606 $aCzech language$xStudy and teaching 606 $aCzech language$xStudy and teaching$xForeign speakers 608 $aElectronic books. 615 0$aCzech language$xStudy and teaching. 615 0$aCzech language$xStudy and teaching$xForeign speakers. 676 $a491.86 700 $aHrdlic?ka$b Milan$0857954 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910467262103321 996 $aKapitoly o cestine jako jazyku nematerskem$92276686 997 $aUNINA LEADER 01675nam a2200337 i 4500 001 991001288829707536 005 20020507113921.0 008 980424s1997 it ||| | eng 035 $ab10199755-39ule_inst 035 $aLE00645280$9ExL 040 $aDip.to Fisica$bita 084 $a3 084 $a3:5 111 2 $aInternational Seminar on technological strategies for the New Europe$0464228 245 10$aTechnological strategies for the New Europe :$bproceedings of the International Seminar [held at] Lecce, April 6-8, 1993 /$csponsored by CERFE and UNESCO ; with the collaboration of the University of Lecce Department of Social Systems and Communications Studies, CNR, STESAM and European Commission Directorate GEneral XII 260 $aLecce :$bPiero Manni,$c1997 300 $a254 p. ;$c21 cm 650 4$aTechnology$xCongresses 710 2 $aCERFE$eauthor$4http://id.loc.gov/vocabulary/relators/aut$0733259 710 2 $aCERN 710 2 $aUNESCO$eauthor$4http://id.loc.gov/vocabulary/relators/aut$013162 710 2 $aSTESAM 710 2 $aUniversity of Lecce. Department of Social Systems and Communication Studies 710 2 $aComunità Europee :$bCommissione : Divisione generale <12.> 907 $a.b10199755$b02-04-14$c27-06-02 912 $a991001288829707536 945 $aLE001 AN XXI 592$g1$i2001000077731$lle001$op$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i14112188$z22-07-05 945 $aLE006 3:5 CER$g1$i2006000069328$lle006$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10246770$z27-06-02 996 $aTechnological strategies for the New Europe$91445112 997 $aUNISALENTO 998 $ale001$ale006$b01-01-98$cm$da $e-$feng$git $h0$i2 LEADER 04015nam 2200601 450 001 9910823145103321 005 20230810001439.0 010 $a3-11-048867-1 024 7 $a10.1515/9783110491081 035 $a(CKB)3710000000966382 035 $a(MiAaPQ)EBC4768992 035 $a(DE-B1597)468971 035 $a(OCoLC)979783567 035 $a(DE-B1597)9783110491081 035 $a(Au-PeEL)EBL4768992 035 $a(CaPaEBR)ebr11316777 035 $a(CaONFJC)MIL972866 035 $a(OCoLC)966537921 035 $a(EXLCZ)993710000000966382 100 $a20161223h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe Pool group and the quest for anthropological universality $ethe humane images of modernism /$fBetsy van Schlun 210 1$aBerlin, [Germany] ;$aBoston, [Massachusetts] :$cDe Gruyter,$d2017. 210 4$d©2017 215 $a1 online resource (476 pages) $cillustrations 225 1 $aBuchreihe der Anglia =$aAnglia Book Series,$x0340-5435 ;$vVolume 55 311 $a3-11-043921-2 311 $a3-11-049108-7 320 $aIncludes bibliographical references and indexes. 327 $tFrontmatter -- $tContents -- $tList of Illustrations -- $tAcknowledgements -- $t1. Introduction -- $tPart I. Theory The Spirit of the Quest -- $t2. The Autonomy and the Necessity of Art -- $tPart II. Technique and Style Towards a Universal Language of Art -- $t3. A Language Composed of Images and E/motion -- $tPart III. Philosophy The Quest for a Universal Foundation of Human Life -- $t4. Universal Sympathy and Universal Man: Pool's Avant-gardist New Humanism -- $tPart IV. Works of Love Pool's Humane Art or: Their Artistic Body -- $t5. POOL Novels -- $t6. Films by POOL Productions -- $t7. POOL Architecture: The Villa KenWin -- $t8. Close Up - A Popular Forum for Film and Film Culture -- $tPart V. ~ The End ~ -- $t9. Conclusion: The Disintegrating Body of Pool and the Spirit of Art -- $tWorks Cited -- $tIndex of names -- $tIndex of Subjects 330 $aPool was an avant-garde group that originated in 1927 in Britain and was active under this name until 1933. The group consisted of the well-known modernist poet H.D., the English writer Bryher, and the young Scottish writer and artist Kenneth Macpherson. All three were first and foremost writers, who at one point discovered film as another modern, experimental medium of artistic expression. Pool associated with almost all the iconic modernists of their time, with Ezra Pound, Gertrude Stein, Ernest Hemmingway, James Joyce, Marianne Moore, William Carlos Williams, T.S. Eliot, and Virginia Woolf, to name only a few. In addition, due to their interest in film, they were also befriended with such influential filmmakers as Sergei Eisenstein and Georg Wilhelm Pabst, and became closely associated with Weimar Berlin film culture.Pool unites classical Modernism and modernity, two directions that are usually considered to be contradictory. The Pool phenomenon opens a new perspective onto Modernism and prompts a reconsideration of its canonical texts and figures. Contrary to many artists of Modernism, who devised highly individualistic aesthetic styles, the artists of Pool strove towards a universal art of humanity that was rooted in all-human nature and psychology. 410 0$aBuchreihe der Anglia ;$vVolume 55. 606 $aHumanity in art 606 $aArts, Modern$y20th century$xThemes, motives 610 $aModernism. 610 $aanthropological universality. 610 $aavant-garde art. 610 $afilm. 615 0$aHumanity in art. 615 0$aArts, Modern$xThemes, motives. 676 $a709.04 700 $aSchlun$b Betsy van$01683925 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910823145103321 996 $aThe Pool group and the quest for anthropological universality$94055067 997 $aUNINA