LEADER 03034oam 2200661I 450 001 9910462329603321 005 20200520144314.0 010 $a1-280-66243-3 010 $a9786613639363 010 $a0-203-11929-0 010 $a1-136-31421-0 024 7 $a10.4324/9780203119297 035 $a(CKB)2670000000203406 035 $a(EBL)957351 035 $a(OCoLC)798533020 035 $a(SSID)ssj0000678445 035 $a(PQKBManifestationID)11394137 035 $a(PQKBTitleCode)TC0000678445 035 $a(PQKBWorkID)10699625 035 $a(PQKB)10002754 035 $a(MiAaPQ)EBC957351 035 $a(Au-PeEL)EBL957351 035 $a(CaPaEBR)ebr10566859 035 $a(CaONFJC)MIL363936 035 $a(OCoLC)794707251 035 $a(EXLCZ)992670000000203406 100 $a20180706d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusic and twentieth-century tonality $eharmonic progression based on modality and the interval cycles /$fPaolo Susanni and Elliott Antokoletz 210 1$aNew York ;$aLondon :$cRoutledge,$d2012. 215 $a1 online resource (177 p.) 225 1 $aRoutledge studies in music theory ;$v1 300 $aDescription based upon print version of record. 311 $a1-138-79350-7 311 $a0-415-80888-X 320 $aIncludes bibliographical references (p.153) and indexes. 327 $aCover; Music and Twentieth-Century Tonality; Copyright; Dedication; Contents; List of Tables and Figures; Preface; Acknowledgments; 1. General Concepts; 2. Interval Cycles; 3. Compound Cyclic Collections; 4. Inversional Symmetry and the Axis Concept; 5. Modes; 6. Modal/Cyclic Relationships; 7. Harmonic Structures, Pitch Cells, and Cyclic Tetrachords; Notes; Bibliography; Index to Compositions; General Index 330 $aThis book explores the web of pitch relations that generates the musical language of non-serialized twelve-tone music and supplies both the analytical materials and methods necessary for analyses of a vast proportion of the 20th century musical repertoire. It does so in a simple, clear, and systematic manner to promote an easily accessible and global understanding of this music. 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