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040   $aDip.to Filologia Ling. e Lett.$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l.
082 04$a801.9
100 1 $aSpitzer, Leo$0132452
245 12$aL'armonia del mondo :$bstoria semantica di un'idea /$cLeo Spitzer
260   $aBologna :$bIl Mulino,$c1963
300   $aXVI, 309 p. ;$c22 cm
490 0 $aCollezione di testi e di studi.$pLinguistica e critica letteraria
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100   $a20180331d1992      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aNew vocabularies in film semiotics $estructuralism, post-structuralism, and beyond /$fRobert Stam, Robert Burgoyne, and Sandy Flitterman-Lewis
210  1$aLondon ;$aNew York :$cRoutledge,$d1992.
215   $a1 online resource (262 p.)
225 0 $aSightlines
300   $aDescription based upon print version of record.
311   $a0-415-06594-1 
311   $a0-415-06595-X 
320   $aIncludes bibliographical references and index.
327   $aBook Cover; Half-Title; Title; Copyright; Dedication; CONTENTS; CONTRIBUTORS; PREFACE; I THE ORIGINS OF SEMIOTICS; II CINE-SEMIOLOGY; III FILM-NARRATOLOGY; IV PSYCHOANALYSIS; V FROM REALISM TO INTERTEXTUALITY; BIBLIOGRAPHY; INDEX OF TERMS;
330   $aThe authors address key aspects of contemporary semiotic and cultural debate--for example Metz's semiotics, Genette's narratology, the feminism of Mary Ann Doane, and Bakhtinian concepts. The book explores linguistically-oriented terminology in cinema studies; the semiotics of film narrative; the psycho-semiology of the cinema; and intertextuality, discourse, and transtextuality. References to individual films drawn from the work of a wide range of directors including Orson Welles, D.W. Griffiths, Alain Resnais, Jean-Luc Godard, Alfred Hitchcock, Jean Cocteau, and Chantal Akerman illustrate th
410  0$aSightlines (London, England)
606   $aMotion pictures$xPhilosophy
606   $aMotion pictures$xSemiotics
615  0$aMotion pictures$xPhilosophy.
615  0$aMotion pictures$xSemiotics.
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