LEADER 00863nam a2200241 i 4500 001 991001010959707536 005 20020507181610.0 008 941021s1967 uk ||| | eng 035 $ab10788694-39ule_inst 035 $aLE01305709$9ExL 040 $aDip.to Matematica$beng 084 $aAMS 55-XX 100 1 $aWallace, Andrew H.$051156 245 13$aAn introduction to algebraic topology /$cAndrew H. Wallace 260 $aOxford :$bPergamon Press,$cc1967 300 $avii, 198 p. ;$c22 cm. 650 4$aAlgebraic topology 907 $a.b10788694$b21-09-06$c28-06-02 912 $a991001010959707536 945 $aLE013 55-XX WAL11 (1957)$g1$i2013000011745$lle013$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10889097$z28-06-02 996 $aIntroduction to algebraic topology$9336654 997 $aUNISALENTO 998 $ale013$b01-01-94$cm$da $e-$feng$guk $h3$i1 LEADER 03458nam 2200613Ia 450 001 9910786353203321 005 20230120041128.0 010 $a1-4571-8465-6 010 $a1-283-74252-7 010 $a0-87421-890-X 035 $a(CKB)2670000000276479 035 $a(EBL)1053912 035 $a(OCoLC)818734127 035 $a(SSID)ssj0000755737 035 $a(PQKBManifestationID)11407892 035 $a(PQKBTitleCode)TC0000755737 035 $a(PQKBWorkID)10731994 035 $a(PQKB)11234128 035 $a(MdBmJHUP)muse24479 035 $a(Au-PeEL)EBL3442899 035 $a(CaPaEBR)ebr10622547 035 $a(CaONFJC)MIL405502 035 $a(Au-PeEL)EBL1053912 035 $a(MiAaPQ)EBC3442899 035 $a(MiAaPQ)EBC1053912 035 $a(EXLCZ)992670000000276479 100 $a20120816d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aFolk culture in the digital age$b[electronic resource] $ethe emergent dynamics of human interaction /$fedited by Trevor J. Blank 210 $aLogan $cUtah State University Press$dc2012 215 $a1 online resource (278 p.) 300 $aDescription based upon print version of record. 311 $a0-87421-889-6 320 $aIncludes bibliographical references and index. 327 $aContents; Acknowledgments; Brief Word on QR Codes; Introduction: Pattern in the Virtual Folk Culture of Computer-Mediated Communication - Trevor J. Blank; 1. How Counterculture Helped Put the "Vernacular" in Vernacular Webs - Robert Glenn Howard; 2. Netizens, Revolutionaries, and the Inalienable Right to the Internet - Tok Thompson; 3. Performance 2.0: Observations toward a Theory of the Digital Performance of Folklore - Anthony Bak Buccitelli; 4. Real Virtuality: Enhancing Locality by Enacting the Small World Theory - Lynne S. McNeill 327 $a5. Jokes on the Internet: Listing toward Lists - Elliott Oring6. The Jewish Joke Online: Framing and Symbolizing Humor in Analog and Digital Culture - Simon J. Bronner; 7. From Oral Tradition to Cyberspace: Tapeworm Diet Rumors and Legends - Elizabeth Tucker; 8. Love and War and Anime Art: An Ethnographic Look at a Virtual Community of Collectors - Bill Ellis; 9. Face-to-Face with the Digital Folk: The Ethics of Fieldwork on Facebook - Montana Miller; References; About the Contributors; Index 330 $aSmart phones, tablets, Facebook, Twitter, and wireless Internet connections are the latest technologies to have become entrenched in our culture. Although traditionalists have argued that computer-mediated communication and cyberspace are incongruent with the study of folklore, Trevor J. Blank sees the digital world as fully capable of generating, transmitting, performing, and archiving vernacular culture. Folklore in the Digital Age documents the emergent cultural scenes and expressive folkloric communications made possible by digital "new media" technologies.New media is cha 606 $aFolklore and the Internet 606 $aFolklore$xComputer network resources 615 0$aFolklore and the Internet. 615 0$aFolklore$xComputer network resources. 676 $a398.20285 701 $aBlank$b Trevor J$0801351 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786353203321 996 $aFolk culture in the digital age$93843329 997 $aUNINA