LEADER 01038nam2 22002531i 450 001 SUN0042610 005 20061128120000.0 100 $a20060322d1959 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $aˆ2: Le ‰istituzioni sacre$fAttilio Roveri 210 $aTorino$cSEI$dstampa 1959 215 $aP. XII, 139-286$cill.$d24 cm. 461 1$1001SUN0042609$12001 $aˆ3: ‰Antichità greche$fa cura di Carlo Del Grande.$v2 620 $dTorino$3SUNL000001 700 1$aRoveri$b, Attilio$3SUNV034898$0180530 712 $aSocietà editrice internazionale$3SUNV000108$4650 801 $aIT$bSOL$c20181109$gRICA 912 $aSUN0042610 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALI$d07 CONS Lex b 9 III $e07 2018 995 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALI$bIT-CE0103$h2018$kCONS Lex b 9 III$oc$qa 996 $aIstituzioni sacre$9943447 997 $aUNICAMPANIA LEADER 00932nam a2200265 i 4500 001 991000941279707536 005 20020502181406.0 008 940517s1983 it ||| | ita 020 $a8835925940 035 $ab11440429-39ule_inst 035 $aPRUMB51887$9ExL 040 $aDip. di SSSC - Sociologia$bita 100 1 $aWillett, John$0385699 245 12$aL'avanguardia europea :$banni Venti a Mosca e a Weimar /$cJohn Willett 260 $aRoma :$bEditori Riuniti,$c1983 300 $a379 p. ;$c20 cm. 490 0 $aUniversale ;$v95 650 4$aEuropa$xAspetti politici e sociali 650 4$aEuropa$xStoria$y1917-1933 907 $a.b11440429$b01-03-17$c01-07-02 912 $a991000941279707536 945 $aLE021 NAC51$g1$iLE021N-258$lle021$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11625454$z01-07-02 996 $aAvanguardia europea$989868 997 $aUNISALENTO 998 $ale021$b01-01-94$cm$da $e-$fita$git $h2$i1 LEADER 04228nam 2200481 450 001 9910807039903321 005 20230814223115.0 010 $a3-11-052770-7 024 7 $a10.1515/9783110527704 035 $a(CKB)4100000005043705 035 $a(MiAaPQ)EBC5158547 035 $a(DE-B1597)474911 035 $a(OCoLC)1046608005 035 $a(DE-B1597)9783110527704 035 $a(Au-PeEL)EBL5158547 035 $a(EXLCZ)994100000005043705 100 $a20180912d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aFaceless $ere-inventing privacy through subversive media strategies /$fBogomir Doringer, Brigitte Felderer, eds 210 1$aBoston, MA :$cDe Gruyter,$d[2018] 210 4$d©2018 215 $a1 online resource (304 pages) 225 0 $aEdition Angewandte. book series of the University of Applied Arts Vienna ;$vthe ser. is not no.ed 311 $a3-11-052513-5 327 $tFrontmatter -- $tContents -- $tThe Beginning / $rDoringer, Bogomir -- $tFaceless Book / $rMacho, Thomas -- $tArchiving faceless / $rDoringer, Bogomir -- $tHi! I'm famous new media artist Jeremy Bailey! / $rBailey, Jeremy -- $tFaceless Praxis in the Age of Zero Trust: Strategies of Disappearance and Distributed Pseudonymity in Art and Research / $rTarasiewicz, Matthias -- $tTHE PRIVACY GIFT SHOP / $rHarvey, Adam -- $tPublic Privacy / $rFelderer, Brigitte -- $tThe Future is Unknown - I am the Future / $rBosma, Josephine -- $tBehind the White Shadows of Image Processing: Shirley, Lena, Jennifer, and the Angel of History / $rMenkman, Rosa -- $tHere Be Faces / $rNiquille, Simone C. -- $tSuppressed Images / $rDewey-Hagborg, Heather -- $tPermission is a Material: Jill Magid Faces the Information Sublime / $rMuggs, Joe -- $tSelected Excerpts from the WE MARGIELA Inter views -- $tMasking the Body as a Trope of Japanese Reflections on Reality / $rSeidl, Walter -- $tExhibitionism as the New Normal: From Presenting to Performing / $rKoskela, Hille -- $tThe Museum / $rKne?evic, Nikola / Listopad, Bruno -- $tunder new moons we stand strong / $rDillon, Teresa -- $tIMAGE CREDITS -- $tPUBLISHER'S NOTE 330 $aDie Beiträge dieses Buchs sind einem Phänomen auf der Spur, das widersprüchlich anmutet: Wir, Computernutzerinnen und User, sind im digitalen Raum in alle Ewigkeit wiederzufinden. Man will einerseits wahrnehmbar, andererseits doch nicht gleich wiedererkennbar sein, sich nicht an eine unüberschaubare Öffentlichkeit ausliefern, gar das Gesicht verlieren. Das Buch dokumentiert künstlerische und andere Strategien, die Möglichkeiten aufzeigen, im unendlichen Buch der Gesichter zu erscheinen und sich dabei doch jeglicher Erfassung zu entziehen. Der Wunsch, kein bloßes Objekt des facialen Ausverkaufs zu werden, bleibt dabei nicht bloß ein ästhetisches Unterfangen. Die Beiträge formulieren auch kämpferische wie ironische Ansagen gegen eine digitale Dynamik, die unseren Alltag längst erreicht hat. 330 $aThe contributions to this book explore a phenomenon that appears to be a contradiction in itself - we, the users of computers, can be tracked in digital space for all eternity. Although, on the one hand, one wants to be noticed and noticeable, on the other hand one does not necessarily want to be recognized at the first instance, being prey to an unfathomable public, or - even less so - to lose face. The book documents artistic and other strategies that point out options for appearing in the infinite book of faces whilst nevertheless avoiding being included in any records. The desire not to become a mere object of facial sell-out does not just remain an aesthetic endeavor. The contributions also contain combative and sarcastic statements against a digital dynamic that has already penetrated our everyday lives. 606 $aArts, Modern$y21st century 615 0$aArts, Modern 676 $a709.05 702 $aDoringer$b Bogomir 702 $aFelderer$b Brigitte 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910807039903321 996 $aFaceless$94120708 997 $aUNINA LEADER 00711nam a2200217 i 4500 001 991004369235907536 005 20250221093234.0 008 250221s1973 it a er 001 0bita d 040 $aBibl. Dip.le Aggr. Studi Umanistici - Sez. Filosofia$bita$cSocioculturale Scs 041 0 $aita 082 04$a520.92$223 100 1 $aBertin, Antonio$d<1939- >$044855 245 10$aCopernico :$bla vita, il pensiero, i testi esemplari /$cdi Antonio Bertin 260 $aMilano :$bAccademia,$c1973 300 $a348 p. :$bill. ;$c19 cm 490 1 $aI memorabili ;$v1 600 14$aCopernico, Nicola$vBiografie 830 2$aI memorabili ;$v1 912 $a991004369235907536 996 $aCopernico$9861570 997 $aUNISALENTO