LEADER 01170nam a2200313 i 4500 001 991000892079707536 005 20020507175341.0 008 981001s1985 uk ||| | eng 020 $a0198535368 035 $ab10771967-39ule_inst 035 $aLE01303924$9ExL 040 $aDip.to Matematica$beng 082 0 $a516.5 084 $aAMS 51E 084 $aQA471.H577 100 1 $aHirschfeld, James William Peter$041853 245 10$aFinite projective spaces of three dimensions /$cJ. W. P. Hirschfeld 260 $aOxford :$bClarendon Press ; New York : Oxford University Press,$cc1985 300 $ax, 316 p. :$bill. ;$c24 cm. 490 0 $aOxford mathematical monographs 500 $aContinues: Projective geometries over finite fields. 500 $aBibliography: p. [279]-302 650 4$aProjective spaces 907 $a.b10771967$b23-02-17$c28-06-02 912 $a991000892079707536 945 $aLE013 51E HIR12 (1985)$g1$i2013000101866$lle013$o-$pE0.00$q-$rl$s- $t4$u2$v64$w2$x0$y.i10870428$z28-06-02 996 $aFinite projective spaces of three dimensions$9383760 997 $aUNISALENTO 998 $ale013$b01-01-98$cm$da $e-$feng$guk $h0$i1 LEADER 03203nam 2200577 450 001 9910798362903321 005 20191015111955.0 010 $a9781350986138 : (ebk : Bloomsbury) 024 7 $a10.5040/9781350986138 035 $a(OCoLC)949885328 035 $a(CaBNVSL)9781350986138 035 $a(MiAaPQ)EBC4528938 035 $a(CaBNVSL)mat50986138 035 $a(CKB)3710000000666921 035 $a(EXLCZ)993710000000666921 100 $a20191015e20192016 uy 0 101 0 $aeng 135 $aurun#|||uuuuu 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aDrawing difference $econnections between gender and drawing /$fMarsha Meskimmon and Phil Sawdon 205 $aFirst edition. 210 1$aLondon, England :$cI.B. Tauris & Co. Ltd,$d2016. 210 2$aLondon, England :$cBloomsbury Publishing,$d2019. 215 $aix, 155p. ;$cill 225 1 $aDrawing In 300 $aDescription based upon print version of record. 320 $aIncludes bibliographical references (pages 135-145) and index. 327 $aApproaching: drawing near -- Chapter 1. Dialogue : From dia- 'across' + legein 'speak' -- Chapter 2. Matter : From materia - 'substance' mater: 'origin, source, mother' -- Chapter 3. Open -- Coinciding: drawing to a close without end. 330 8 $a"Drawing has been growing in recognition and stature within contemporary fine art since the mid-1970s. Simultaneously, feminist activism has been widespread, leading to the increased prominence of women in the art world and the acknowledgement of the crucial role played by gender and sexual difference in constituting the subject. This book argues that these developments did not occur in parallel by coincidence. It uses three works from the 1970s, by Annette Messager, Dorothea Rockburne and Carolee Schneeman, to exemplify critical developments in feminist art history and key moments for drawing as a means of expression. These works are further explored in relation to the contemporary drawing practices of Marco Maggi, Sian Bowen, Susan Hauptmann, Cornelia Parker, Christoph Fink and Toba Kheedori. Dividing its analysis into the themes Approaching, Tropes and Coinciding, the book analyses how both drawing and feminist discourse emphasise dialogue, matter and openness. It demonstrates how sexual difference, subjectivity and drawing are connected at an elemental level--and thus how drawing has played a vital role in the articulation of the material and conceptual dynamics of feminism.--"$cPublisher's description. 410 0$aDrawing in. 606 $aDrawing$xPhilosophy 606 $aDrawing$xThemes, motives 606 $aFeminism and art 606 $aWomen in art 606 $2Art & design styles: from c 1960 615 0$aDrawing$xPhilosophy. 615 0$aDrawing$xThemes, motives. 615 0$aFeminism and art. 615 0$aWomen in art. 676 $a741.01 700 $aMeskimmon$b Marsha$0610824 702 $aSawdon$b Phil 712 02$aBloomsbury (Firm), 801 0$bN 801 1$bCaBNVSL 801 2$bCaBNVSL 912 $a9910798362903321 996 $aDrawing difference$93697592 997 $aUNINA