LEADER 00982nam a22002651i 4500 001 991000819649707536 005 20021030182534.0 008 021030s1975 it |||||||||||||||||ita 035 $ab12059808-39ule_inst 035 $aARCHE-014960$9ExL 040 $aDip.to Filologia Ling. e Lett.$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 100 1 $aNovaro, Mario$0176361 245 10$aMurmuri ed echi /$cMario Novaro 250 $a6. ed. definitiva /$ba cura di Giuseppe Cassinelli 260 $aMilano :$bAll'insegna del pesce d'oro,$c1975 300 $a154 p. ;$c17 cm 490 0 $aAcquario 500 $aEd. di 1000 esempl. num 700 1 $aCassinelli, Giuseppe 907 $a.b12059808$b28-04-17$c01-04-03 912 $a991000819649707536 945 $aLE008 TS H III 44$g1$i2008000393083$lle008$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i12355410$z01-04-03 996 $aMurmuri ed echi$9143716 997 $aUNISALENTO 998 $ale008$b01-04-03$cm$da $e-$fita$git $h0$i1 LEADER 02814oam 22006494a 450 001 996379046703316 005 20230807182657.0 010 $a90-485-2529-2 024 7 $a10.1515/9789048525294 035 $a(CKB)3710000000532836 035 $a(EBL)4391575 035 $a(MiAaPQ)EBC4391575 035 $a(OCoLC)931874003 035 $a(OCoLC)1162990454 035 $a(MdBmJHUP)muse76636 035 $a(DE-B1597)502540 035 $a(OCoLC)1058324283 035 $a(DE-B1597)9789048525294 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/34636 035 $a(EXLCZ)993710000000532836 100 $a20151016h20152015 uy 0 101 0 $aeng 135 $aurmn#nnn||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSoul of the Documentary$fIlona Hongisto 210 $cAmsterdam University Press$d2015 210 1$aAmsterdam :$cAmsterdam University Press,$d[2016] 210 4$d©2015 215 $a1 online resource (178 pages) $cillustrations, portraits 225 0 $aOpen Access e-Books 225 0 $aKnowledge Unlatched 311 $a90-8964-755-4 320 $aIncludes bibliographical references (pages 167-174) and index. 327 $aFrames of the photograph -- A documentary fable -- Making up legends -- Acts of resistance -- Moments of affection -- The primacy of feeling -- Epilogue: ethics of sustainability. 330 $aIn Soul of the Documentary, Ilona Hongisto stirs current thinking about documentary cinema by suggesting that the work of documentary films is not reducible to representing what already exists. By close-reading a diverse body of films - from The Last Bolshevik to Grey Gardens - Hongisto shows how documentary cinema intervenes in the real by framing it and creatively contributes to its perpetual unfolding. The emphasis on framing brings new urgency to the doumentary tradition and its objectives, and provokes significant novel possibilities for thinking about the documentary's ethical and political potentials in the contemporary world. -- Provided by publisher. 606 $aDokumenta?rfilm$2sfit 606 $aDocumentary films$2fast$3(OCoLC)fst00896079 606 $aDocumentary films$xHistory and criticism 608 $aCriticism, interpretation, etc. 610 $aethics 610 $aexperimentation 610 $aimmanence 610 $adocumentary 610 $aaesthetics 615 7$aDokumenta?rfilm. 615 7$aDocumentary films. 615 0$aDocumentary films$xHistory and criticism. 676 $a070.1/8 700 $aHongisto$b Ilona$0870028 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a996379046703316 996 $aSoul of the Documentary$91942427 997 $aUNISA