LEADER 01127nam0-2200349---450- 001 990009572900403321 005 20120518145044.0 010 $a978-88-15-23371-4 035 $a000957290 035 $aFED01000957290 035 $a(Aleph)000957290FED01 035 $a000957290 100 $a20120515d2009----km-y0itay50------ba 101 1 $aita$cfr 102 $aIT 105 $a--------001yy 200 1 $a<>società d'Europa del nuovo millennio$fGöran Therborn$gtraduzione di Nicoletta Salomon 210 $aBologna$cil Mulino$d2009 215 $a463 p.$d20 cm 225 1 $a<>vie della civiltà 320 $aContiene indice dei nomi (pp. 455-463) 454 0$12001$a<>sociétés d'Europe au XX aux XXI siécle$952286 610 0 $aCambiamento$aEuropa occidentale$aSec. 21$aAspetti sociali 676 $a303.4094$v22$zita 700 1$aTherborn,$bGöran$f<1941- >$0381936 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990009572900403321 952 $a303.4094 THE$b5561$fBFS 959 $aBFS 996 $aSociétés d'Europe au XX aux XXI siécle$952286 997 $aUNINA LEADER 00908nam a2200265 i 4500 001 991000793489707536 005 20020507173650.0 008 960704s1958 uk ||| | eng 035 $ab10758100-39ule_inst 035 $aLE01302410$9ExL 040 $aDip.to Matematica$beng 082 0 $a515.73 084 $aAMS 52A 100 1 $aEggleston, H. G.$0491203 245 10$aConvexity /$cby H. G. Eggleston 260 $aCambridge :$bCambridge University Press,$c1958 300 $a141 p. ;$c22 cm. 490 0 $aCambridge tracts in mathematics and mathematical physics ;$v47 650 4$aConvexity 907 $a.b10758100$b23-02-17$c28-06-02 912 $a991000793489707536 945 $aLE013 52A EGG11 (1958)$g1$i2013000052564$lle013$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i10852724$z28-06-02 996 $aConvexity$9334269 997 $aUNISALENTO 998 $ale013$b01-01-96$cm$da $e-$feng$guk $h0$i1 LEADER 03601nam 22006852 450 001 9910956413203321 005 20151005020622.0 010 $a1-107-35812-4 010 $a1-107-23852-8 010 $a1-107-34225-2 010 $a1-107-34943-5 010 $a1-107-34600-2 010 $a1-107-34850-1 010 $a1-139-56829-9 010 $a1-107-34475-1 035 $a(CKB)2550000001095283 035 $a(EBL)1139748 035 $a(OCoLC)846494692 035 $a(SSID)ssj0000887840 035 $a(PQKBManifestationID)11459814 035 $a(PQKBTitleCode)TC0000887840 035 $a(PQKBWorkID)10847378 035 $a(PQKB)11756412 035 $a(UkCbUP)CR9781139568296 035 $a(MiAaPQ)EBC1139748 035 $a(Au-PeEL)EBL1139748 035 $a(CaPaEBR)ebr10718597 035 $a(CaONFJC)MIL502030 035 $a(EXLCZ)992550000001095283 100 $a20120815d2013|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aModernism and the Aesthetics of Violence /$fPaul Sheehan 205 $a1st ed. 210 1$aCambridge :$cCambridge University Press,$d2013. 215 $a1 online resource (x, 232 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 08$a1-107-03683-6 311 08$a1-299-70779-3 320 $aIncludes bibliographical references and index. 327 $aIntroduction: modernism's blasted history -- Part I. Decadence Rising: The Violence of Aestheticism: 1. Revolution of the senses -- 2. Victorian sexual aesthetics -- 3. Culture, corruption, criminality -- 4. A malady of dreaming: The Picture of Dorian Gray -- Part II. Modernism's Breach: The Violence of Aesthetics: 5. Prologue: transgression displaced -- 6. No dreaming pale flowers -- 7. Modernist sexual politics -- 8. Maximum energy (like a hurricane) -- 9. Forbidden planet: Heart of Darkness -- Epilogue: traumas of the world -- Notes -- Bibliography. 330 $aThe notion that violence can give rise to art - and that art can serve as an agent of violence - is a dominant feature of modernist literature. In this study Paul Sheehan traces the modernist fascination with violence to the middle decades of the nineteenth century, when certain French and English writers sought to celebrate dissident sexualities and stylized criminality. Sheehan presents a panoramic view of how the aesthetics of transgression gradually mutates into an infatuation with destruction and upheaval, identifying the First World War as the event through which the modernist aesthetic of violence crystallizes. By engaging with exemplary modernists such as Joyce, Conrad, Eliot and Pound, as well as lesser-known writers including Gautier, Sacher-Masoch, Wyndham Lewis and others, Sheehan shows how artworks, so often associated with creative well-being and communicative self-expression, can be reoriented toward violent and bellicose ends. 517 3 $aModernism & the Aesthetics of Violence 606 $aModernism (Literature)$zGreat Britain 606 $aModernism (Literature)$zFrance 606 $aViolence in literature 615 0$aModernism (Literature) 615 0$aModernism (Literature) 615 0$aViolence in literature. 676 $a823/.9109112 700 $aSheehan$b Paul$f1960-$01843629 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910956413203321 996 $aModernism and the Aesthetics of Violence$94425259 997 $aUNINA