LEADER 01102nam a22002771i 4500 001 991000759159707536 005 20040215161137.0 008 040220s1976 fr |||||||||||||||||fre 035 $ab12666166-39ule_inst 035 $aARCHE-066450$9ExL 040 $aDip.to Scienze pedagogiche$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a331.0112 100 1 $aLevinson, Charles$0107554 245 13$aLa démocratie industrielle /$cCharles Levinson ; traduit de l'anglais par Dominique Bertin et Dominique Birckel 260 $aParis :$bÉditions du Seuil,$c[1976] 300 $a300 p. ;$c21 cm 650 4$aAziende$xGestione$xPartecipazione dei lavoratori 700 1 $aBirckel, Dominique 700 1 $aBertin, Dominique 765 0 $tIndustrys democratic revolution 907 $a.b12666166$b02-04-14$c17-03-04 912 $a991000759159707536 945 $aLE022 MP 127 B 42$g1$i2022000194549$lle022$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i13174009$z17-03-04 996 $aDémocratie industrielle$9272688 997 $aUNISALENTO 998 $ale022$b17-03-04$cm$da $e-$ffre$gfr $h3$i1 LEADER 03371nam 2200625 450 001 9910818511703321 005 20230809224055.0 010 $a3-11-051708-6 010 $a3-11-051543-1 024 7 $a10.1515/9783110517088 035 $a(CKB)3710000001307342 035 $a(MiAaPQ)EBC4855904 035 $a(DE-B1597)472777 035 $a(OCoLC)987936876 035 $a(DE-B1597)9783110517088 035 $a(Au-PeEL)EBL4855904 035 $a(CaPaEBR)ebr11382563 035 $a(OCoLC)987091788 035 $a(EXLCZ)993710000001307342 100 $a20170529h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aTheatre on terror $esubject positions in British drama /$fAriane de Waal 210 1$aBerlin, [Germany] ;$aBoston, [Massachusetts] :$cDe Gruyter,$d2017. 210 4$d©2017 215 $a1 online resource (298 pages) $cillustrations 225 1 $aCDE Studies,$x2194-9069 ;$vVolume 27 311 $a3-11-051512-1 320 $aIncludes bibliographical references and indexes. 327 $tFrontmatter -- $tContents -- $tAcknowledgements -- $t1. Introduction -- $t2. Theoretical Framework -- $t3. Home-Front Plays: Subject Positions in the British Terror City -- $t4. Front-Line Plays: Positioning 'Self', 'Other', and Other Selves in Iraq and Afghanistan -- $t5. Conclusion -- $tWorks Cited -- $tGeneral Index -- $tIndex of Plays 330 $aIn a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts the terrain of contemporary subjectivities both 'at home' and 'on the front line'. Beyond examining the construction and contestation of subject positions in domestic and (sub)urban settings, the book follows border-crossing figures to the shifting battlefields in Iraq and Afghanistan. What emerges through the analysis of twenty-one plays is not a dichotomy but a dialectics of 'home' and 'front', where fluid, uncontainable subjects are constantly pushing the contours of conflict. Revising the critical consensus that post-9/11 drama primarily engages with 'the real', Ariane de Waal argues that these plays navigate the complexities of the discourse - rather than the historical or social realities - of war and terrorism. British 'theatre on terror' negotiates, inflects, and participates in the discursive circulation of stories, idioms, controversies, testimonies, and pieces of (mis)information in the face of global insecurities. 410 0$aCDE studies ;$vVolume 27. 606 $aEnglish drama$xHistory and criticism 606 $aTheater$zGreat Britain$xHistory$y20th century 610 $a9/11. 610 $aContemporary British Theatre. 610 $aDrama. 610 $aSubject Positions. 610 $aTerror. 615 0$aEnglish drama$xHistory and criticism. 615 0$aTheater$xHistory 676 $a822.009 686 $aHN 1261$2rvk 700 $aDe Waal$b Ariane$01599397 702 $aDe Waal$b Ariane 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910818511703321 996 $aTheatre on terror$93922053 997 $aUNINA