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008 990615s2000    enk      b    001 0 eng  
010   $a99036163
020   $a033369452X (Macmillan)
020   $a0333694538 (Macmillan pbk.)
020   $a0312226667 (St. Martin's)
035   $ab13259921-39ule_inst
040   $aDip.to Lingue$bita
082 00$a809.3/876/082$221
100 1 $aArmitt, Lucie,$d1962-$0169219
245 10$aContemporary women's fiction and the fantastic /$cLucie Armitt.
260   $aHoundmills, Basingstoke, Hampshire :$bMacmillan Press ;$aNew York :$bSt. Martin's Press,$c2000.
300   $ax, 257 p. ;$c23 cm.
504   $aIncludes bibliographical references (p. 241-252) and index.
505 0 $aContemporary Phantoms and Other Monsters -- Echoes and Exorcisms: Nineteenth-Century Reflections -- Dora Meets Scheherazade -- 1. The Grotesque Utopia: Joanna Russ, Jeanette Winterson, Angela Carter, Jane Palmer and Monique Wittig. Female Grotesques: The Female Man, Dogwoman and Fevvers. Horizons and Hybridity: Jeanette Winterson and Monique Wittig. Women in Flight: The Watcher (1986) and Across the Acheron (1987). Gendering the Chronotope: Sexing the Cherry (1989) -- 2. Chronotopes and Cyborgs: Octavia Butler, Joanna Russ, Fay Weldon and Marge Piercy. The Polychronotopic Text: Kindred (1979). Splitting the Subject across Space and Time. Onco Mouse and Other Monsters: The Cloning of Joanna May (1989). The Post-Nuclear Family: Body of Glass (1991) -- 3. Vampires and the Unconscious: Marge Piercy, Margaret Atwood, Toni Morrison and Bessie Head. The Vampire, the Jew and the One-Sex Body. Covering the Traces: The Robber Bride (1993). The Succubus: Beloved (1987).
505 8 $aThe Viennese Witch Doctor: A Question of Power (1974). Freud, Dora and Alias Grace (1996) -- 4. Ghosts and (Narrative) Ghosting: Margaret Atwood, Jeanette Winterson and Toni Morrison. Rebecca: The Ghost(ed) Text. Apparitional Geometries: The Robber Bride (1993). A Ghostly Romance: Written on the Body (1992). Writing Black in White Ink: Beloved (1987) -- 5. Fairies and Feminism: Alice Thomas Ellis, Fay Weldon and Elizabeth Baines. Border-Crossings: Fairy Tale (1996). Spinsters and Stepmothers. Tennyson and the Tarot: The Cloning of Joanna May (1989). Briar Rose/Dead Dolls: The Birth Machine (1983) -- 6. Magic Realism Meets the Contemporary Gothic: Isabel Allende and Angela Carter. Evoking the Strange(r): The House of the Spirits (1985). Originary Tales: Eva Luna (1988). Magically Gothic: The Infernal Desire Machines of Dr. Hoffman (1972). Agoraphobic Reflections: Nights at the Circus (1984). Dancing with Death: Wise Children (1991).
505 8 $a7. Mannequins in the Marketplace: Angela Carter, Pat Barker and Margaret Atwood. Women on the Market: Blow Your House Down (1984). The Return of (the Repressed) Dora: The Magic Toyshop (1967). Olympia and the Swan-Maiden. The (Market-) Value of Words: The Handmaid's Tale (1985). Mothering and Melancholia -- Conclusion: The Lost Mother.
546   $aInglese
650  4$aLetteratura fantastica$xAutrici
650  4$aDonne nella letteratura$xStoria$ySec. 20
650  4$aNarrativa$ySec. 20$xStoria e critica
650  4$aScrittrici$ySec. 20$xStoria e critica
650  0$aFantasy fiction$xWomen authors$xHistory and criticism.
650  0$aFiction$xWomen authors$xHistory and criticism.
650  0$aFiction$y20th century$xHistory and criticism.
650  0$aWomen and literature$xHistory$y20th century.
650  0$aFantastic, The, in literature.
907   $a.b13259921$b09-03-22$c15-12-04
912   $a991000700829707536
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996   $aContemporary women's fiction and the fantastic$9490528
997   $aUNISALENTO
998   $ale012$b15-12-04$cm$da  $e-$feng$genk$h0$i0