LEADER 01066nam a22002651i 4500 001 991000569079707536 005 20021017120011.0 008 021017s1979 it |||||||||||||||||ita 035 $ab12023899-39ule_inst 035 $aARCHE-011369$9ExL 040 $aDip.to Filologia Ling. e Lett.$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a346.0438 100 1 $aLeone, Alfonso$036392 245 13$aIl notaio nella società del Quattrocento meridionale /$cAlfonso Leone 260 $aSalerno :$bLaveglia,$c1979 300 $a94 p. ;$c17 cm 490 0$aPiccola biblioteca Laveglia.$pRicerche ;$v2 490 0$aPiccola biblioteca Laveglia ;$v6 650 4$aNotai$xItalia meridionale$ySec. 15. 907 $a.b12023899$b28-04-17$c01-04-03 912 $a991000569079707536 945 $aLE008 FL.M. (f.r.) XXII B 193$g1$i2008000512767$lle008$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i12312964$z01-04-03 996 $aNotaio nella società del Quattrocento meridionale$9142480 997 $aUNISALENTO 998 $ale008$b01-04-03$cm$da $e-$fita$git $h3$i1 LEADER 02402 am 22004333u 450 001 9910765751003321 005 20170906 010 $a91-7635-044-4 024 7 $a10.16993/bal 035 $a(CKB)3800000000216769 035 $a(OAPEN)635201 035 $a(NjHacI)993800000000216769 035 $a(EXLCZ)993800000000216769 100 $a20170906d|||| uy 101 0 $aswe 135 $auuuuu---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPerformativitet 210 $aStockholm$cStockholm University Press$d2017 215 $a1 online resource (138) 311 $a91-7635-047-9 330 $a"What does performativity signify? And what does it mean to speak of something as being performative? Aiming to clarify and critically highlight an important but sometimes elusive concept, this book consists of five chapters, each addressing a concrete situation of interpretation. By highlighting artworks and images from different historical periods and contexts, the authors show how performativity might be a versatile and useful concept for interpretations of images. The purpose is to convey the critical potential of the concept as it is activated in relation to different objects of study. The book is primarily addressed to students of art history and others who take an interest in questions of visuality and visual practices. Offering not only a theoretical understanding of the concept, it strives to point out ways and possibilities of the practical use of performativity. This book constitutes the first volume of Theoretical Applications in Art History, which forms part of the series Basic Readings in Culture and Aesthetics. Its editors, Malin Hedlin Hayden and Mårten Snickare, are professors of art history at the Department of Culture and Aesthetics, Stockholm University. *** 517 $aStockholm Studies in Culture and Aesthetics 517 $aPerformativitet 606 $aTheory of art$2bicssc 606 $aHistory of art / art & design styles$2bicssc 615 7$aTheory of art 615 7$aHistory of art / art & design styles 676 $a111.85 700 $aSnickare$b Marten$01225519 702 $aHayden$b Malin Hedlin 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910765751003321 996 $aPerformativitet$93653485 997 $aUNINA