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100   $a19930322d1993      ub             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 14$aThe bronze screen$b[electronic resource] $eChicana and Chicano film culture /$fRosa Linda Fregoso
210   $aMinneapolis $cUniversity of Minnesota Press$dc1993
215   $a1 online resource (192 p.)
300   $aDescription based upon print version of record.
311   $a0-8166-2136-5 
311   $a0-8166-2135-7 
320   $aIncludes bibliographical references and index.
327   $aContents; List of Photographs; Acknowledgments; Introduction: The Bronze Screen: Looking at Us Looking; 1 Actos of ""Imaginative Re-discovery""; 2 Intertextuality and Cultural Identity in Zoot Suit (1981) and La Bamba (1987); 3 Humor as Subversive De-construction: Born in East L.A. (1987); 4 From Il(l)egal to Legal Subject: Border Construction and Re-construction; 5 Nepantla in Gendered Subjectivity; 6 Conclusion: Eastside Story Re-visited; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z
330   $aExplores Chicana and Chicano popular culture through contemporary representations in both Hollywood commercial and independent cinema.Rosa Linda Fregoso's The Bronze Screen opens the way for international debate on the new critical field of Chicano/a cinema. Fregoso provides an incisive articulation of the ways in which narrative codes in film can telescope complex versions of Mexican and American culture and history. The often violent impact of 'first' (U.S.) and 'third' (Mexico) world cultures and geographies is channeled through the very term Chicano/a as well as its cin
606   $aCulture in motion pictures
606   $aMexican Americans in motion pictures
608   $aElectronic books.
615  0$aCulture in motion pictures.
615  0$aMexican Americans in motion pictures.
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700   $aFregoso$b Rosa Linda$0893621
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245 10$aTo save a city :$bthe Berlin airlift, 1948-1949 /$cRoger G. Miller
250   $a2. ed
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300   $aXVI, 253 p. :$bill. ;$c25 cm
504   $aBibliografia: p. [235]-241. Indice
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