LEADER 01362cam a2200313 i 4500 001 991000177179707536 008 220510s2000 it a 001 0 ita d 020 $a8873036287 035 $ab14437727-39ule_inst 040 $aBibl. Dip.le Aggr. Ingegneria Innovazione - Sez. Ingegneria Innovazione$beng 082 00$a006.696$221 100 1 $aMilburn, Ken,$d1935-$062702 245 10$aFlash 4 :$bguida avanzata /$cKen Milburn, John Croteau 260 $aMilano :$bApogeo,$cc2000 300 $axv, 430 p., [8] pages of plates :$bill. ;$c26 cm +$e1 cd rom 500 $aIncludes index 500 $aOrig. title: Flash 4 Web animation f/x and design 630 00$aFlash (Computer file) 650 0$aComputer animation 650 0$aMultimedia systems 650 0$aWeb sites$xDesign 700 1 $aCroteau, John$eauthor$4http://id.loc.gov/vocabulary/relators/aut$062703 907 $a.b14437727$b10-05-22$c10-05-22 912 $a991000177179707536 945 $aLE026 006.696 MIL 01.01 2000$g1$i2026000135229$lle026$mTesto collocato sul pavimento.$nFondo GISI$og$pE0.00$q-$rl$st $t0$u0$v0$w0$x0$y.i16010206$z10-05-22 945 $aLE026 cd-rom n.460$ccd$g1$i2026000135212$lle026$nFondo GISI$og$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i16010218$z10-05-22 996 $aFlash 4$92839822 997 $aUNISALENTO 998 $ale026$b10-05-22$cm$da $e $fita$git $h0$i0 LEADER 04057nam 22006612 450 001 9910782131903321 005 20151005020621.0 010 $a1-107-18737-0 010 $a1-281-75130-8 010 $a9786611751302 010 $a0-511-41464-1 010 $a0-511-41532-X 010 $a0-511-41304-1 010 $a0-511-41210-X 010 $a0-511-48137-3 010 $a0-511-41396-3 035 $a(CKB)1000000000536873 035 $a(EBL)353004 035 $a(OCoLC)476173801 035 $a(SSID)ssj0000125742 035 $a(PQKBManifestationID)11144365 035 $a(PQKBTitleCode)TC0000125742 035 $a(PQKBWorkID)10029898 035 $a(PQKB)10826726 035 $a(UkCbUP)CR9780511481376 035 $a(Au-PeEL)EBL353004 035 $a(CaPaEBR)ebr10240303 035 $a(CaONFJC)MIL175130 035 $a(MiAaPQ)EBC353004 035 $a(EXLCZ)991000000000536873 100 $a20090212d2008|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aCommunication in eighteenth-century music /$fedited by Danuta Mirka and Kofi Agawu$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2008. 215 $a1 online resource (ix, 345 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-107-40695-1 311 $a0-521-88829-8 320 $aIncludes bibliographical references (p. [318]-334) and indexes. 327 $aCommunication and the market. -- Part I : Communication and verisimilitude in the eighteenth century / Paul Cobley -- Listening to listeners / Mark Evan Bonds -- Mannichfaltige Abweichungen von der gewohnlichen Sonaten-form : Beethoven's 'piano-solo' op. 31 no. 1 and the challenge of communication / Claudia Maurer Zenck -- Part II : Musical grammar -- Metre, phrase structure and manipulations of musical beginnings / Danuta Mirka -- National metrical types in music of the eighteenth and early nineteenth centuries / William Rothstein -- Schoenberg's 'second melody', or, 'Meyer-ed' in the bass / William E. Caplin -- Part III : Rhetorical form and topical decorum -- A metaphoric model of sonata form : two expositions by Mozart / Michael Spitzer -- Beethoven's op. 18 no. 3, first movement : two readings, with a comment on analysis / Kofi Agawu -- Mozart's K331, first movement : once more, with feeling / Wye J. Allanbrook -- Dance topoi, sonic analogs and musical grammar : communicating with music in the eighteenth century / Lawrence M. Zbikowski. 330 $aWritten by ten leading scholars, this volume assembles studies of eighteenth- and early nineteenth-century music under the broad rubric of communication. That such an impulse motivates musical composition and performance in this period of European musical history is often acknowledged but seldom examined in depth. The book explores a broad set of issues, ranging from the exigencies of the market for books and music in the eighteenth century through to the deployment of dance topoi in musical composition. A number of close readings of individual works by Mozart, Haydn and Beethoven draw on a sophisticated body of historically-appropriate technical resources to illuminate theories of form, metre, bass lines and dance topoi. Students and scholars of music history, theory and analysis will find in this volume a set of challenging, state-of-the-art essays that will stimulate debate about musical meaning and engender further study. 606 $aMusic$y18th century$xHistory and criticism 606 $aCommunication in music 615 0$aMusic$xHistory and criticism. 615 0$aCommunication in music. 676 $a780.9/033 702 $aMirka$b Danuta 702 $aAgawu$b V. Kofi$g(Victor Kofi), 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910782131903321 996 $aCommunication in eighteenth-century music$91557499 997 $aUNINA