LEADER 03559nam 2200649 450 001 9910456306803321 005 20200520144314.0 010 $a1-281-99635-1 010 $a9786611996352 010 $a1-4426-7713-9 024 7 $a10.3138/9781442677135 035 $a(CKB)2430000000001830 035 $a(EBL)3257963 035 $a(SSID)ssj0000302800 035 $a(PQKBManifestationID)11211635 035 $a(PQKBTitleCode)TC0000302800 035 $a(PQKBWorkID)10273315 035 $a(PQKB)11467001 035 $a(CaBNvSL)thg00600911 035 $a(MiAaPQ)EBC3257963 035 $a(MiAaPQ)EBC4671715 035 $a(DE-B1597)479189 035 $a(OCoLC)987949225 035 $a(DE-B1597)9781442677135 035 $a(Au-PeEL)EBL4671715 035 $a(CaPaEBR)ebr11257415 035 $a(OCoLC)958572067 035 $a(EXLCZ)992430000000001830 100 $a20160913h20022002 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMcLuhan in space $ea cultural geography /$fRichard Cavell 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2002. 210 4$dİ2002 215 $a1 online resource (343 p.) 300 $aIncludes index. 311 $a0-8020-8658-6 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tSigla --$tPREFACE. 'Space' in McLuhan --$tPART ONE. SPACED --$tCHAPTER ONE. A Short History of Space --$tCHAPTER TWO. Mechanization and Its Discontents --$tCHAPTER THREE. The Physics of Flatland --$tCHAPTER FOUR. Prosthetic Aesthetics --$tINTERFACE. The Intellectual as Vates --$tPART TWO. SCAPED --$tCHAPTER FIVE. Artiste de livres --$tCHAPTER SIX. Visible Speech --$tCHAPTER SEVEN. Art without Walls --$tCHAPTER EIGHT. Borderlines --$tPOSTFACE. McLuhan in Space --$tNotes --$tDetails of Sigla --$tIndex 330 $aThe first book to propose that Marshall McLuhan be read as a spatial theorist, McLuhan in Space argues that space is the single most consistent concept in McLuhan's vast and eclectic body of work. Richard Cavell demonstrates how McLuhan extended insights derived from advances in physics and artistic experimentation into a theory of acoustic space, which he then used to challenge the assumptions of visual space that had been produced through 500 years of print culture. The notion of acoustic space provided McLuhan with a heuristic probe of prodigious range, allowing him to examine critically the many social and cultural forms of contemporary media production. It also enabled him to cross over intellectually from the purely theoretical realm into that of artistic production, where his interests in radical notions of spatial production were shared by a range of avant garde artists from bp Nichol to Glenn Gould, from John Cage to the Fluxus artists - an artistic milieu in which McLuhan increasingly came to situate his work. Cavell's book is the first to examine McLuhan's work in light of this artistic backdrop, and the first to examine his contribution to Canadian studies. 606 $aSpace and time 606 $aSpace and time in art 608 $aElectronic books. 615 0$aSpace and time. 615 0$aSpace and time in art. 676 $a302.23092 700 $aCavell$b Richard$0965224 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456306803321 996 $aMcLuhan in space$92487019 997 $aUNINA LEADER 00948nam a2200265 i 4500 001 991000157049707536 005 20020509162749.0 008 010531s1980 it ||| | ita 035 $ab1131896x-39ule_inst 035 $aPARLA203038$9ExL 040 $aDip.to Scienze Storiche Fil. e Geogr.$bita 082 0 $a937.702 100 1 $aAprea, Armando A.$0169020 245 13$aLa Sannitide scomparsa :$bSannio amaro /$cArmando A. Aprea 260 $aRoma :$bA.C.A.T.-"La via Lattea",$c1980 300 $a95 p. ;$c24 cm. 650 4$aSannio . Storia$ySec. 6.-3. a.C. 650 4$aSanniti 650 4$aStoria antica$zItalia Meridionale 907 $a.b1131896x$b21-09-06$c01-07-02 912 $a991000157049707536 945 $aLE009 Stor.20-23$g1$i2009000061835$lle009$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11489492$z01-07-02 996 $aSannitide scomparsa$9266190 997 $aUNISALENTO 998 $ale009$b01-01-01$cm$da $e-$fita$git $h3$i1