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Bildakt (Picture Act) --$tThe Picture Act: Tradition, Horizon, Philosophy /$rBredekamp, Horst --$tExtended Imagery, Extended Access, Or Something Else? /$rFingerhut, Joerg --$tBildakt Demystified /$rFreyberg, Sascha / Blühm, Katharina --$tPicture Act Method /$rSchneider, Pablo --$tII. Traditions --$tThough This Be Madness: Edgar Wind and the Warburg Tradition /$rEngel, Franz --$t"Ein Geistvoller Amerikaner" /$rViola, Tullio --$tIII. The Acting Body --$tMoving Speech /$rMarienberg, Sabine --$t"Not Only from his Hand But Also From his Temper" /$rHadjinicolaou, Yannis --$tHaptic Perception in Mattia Preti's Doubting Thomas (1635/40) /$rFeist, Ulrike --$tThe Cathedral of Santiago de Compostela as a Tactile Theater /$rTrinks, Stefan --$tIV. The Living Body --$tBodily Communication in Picture Acts /$rLauschke, Marion --$tLife, but not as we Know it /$rGastel, Joris van --$tPicture Credits --$tBack matter 330 $aThis volume presents the work of the "Collegium for the Advanced Study of the Picture Act and Embodiment" at the London Warburg Institute. It gathers studies on various topics: on the history and anthropology of the "picture act" (Bildakt); on theoretical and methodological aspects of picture act theory; on the role of image perception in the philosophy of the extended mind; on phenomena related to haptic experience of the image in the Middle Ages and early modern period; on somatic communication processes; on semiotic aspects of iconological thinking; and on the living dynamics of internal and external movement in imagery and language. 410 0$aActus et Imago ;$vBand XII. 606 $aImage (Philosophy) 606 $aRepresentation (Philosophy) 615 0$aImage (Philosophy) 615 0$aRepresentation (Philosophy) 676 $a062 702 $aMarienberg$b Sabine 702 $aTrabant$b Ju?rgen 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910823266003321 996 $aBildakt at the Warburg Institute$94061383 997 $aUNINA